دانلود کتاب Double Exposures: The Practice of Cultural Analysis

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DOUBLE EXPOSURES The Subject of Cultural Analysis
Copyright
Contents
Acknowledgments
Das Gesicht an der wand
Introduction
1 Telling, Showing, Showing off in which the threshold between two worlds is more telling than the division between the two sides of New York\'s central park, and words expose images exposing words
Setting as Image, Nature as Sign
Who Is Speaking?
Asian Mammals: The Politics of Transition
The Contest between Time and Space: Evolution and Taxonomy
Circular Epistemology
In the Beginning Was the Word
Picking Up Crumbs
Notes
2 The Value Factory in which issues of ownership and preservation reveal a first-person narrator, and literary theory is brought in to learn the foreign language spoken in museums; and in which the distinction between types of museums turns out to be more than just labeling
The Medusa Effect
Discourses of Ownership and Conservation
For Goodness\' Sake
Repetition and Metaphor
On Distinction
Difficulties of Looking and the Need to Read
Notes
3 The Talking Museum in which one image reads another by hanging next to it, and in which parrots can speak without imitating; but this requires that discourse be liberated from the stronghold of linguistic supremacy
Reading the Handwriting on the Wall
Museology versus Museums
Speaking Spaces: Reading Rooms
Word and Image Are But/Not One: Reading Walls
Reading Walls: Second Episode
Allegorical Museology
Notes
4 Museumtalk in which conversations lead to monologues and authority makes sense, so that museology becomes a measure for cultural analysis
The Discourse of Museum Discourse
Artspeak
Art Apar
Situatedness
Showing Your Hand
Notes
5 Frist Person, Second Person, Same Person in which the best scholarship gets entagled in a narrative of display in its very attempts to avoid such discourse, but where unknotting those knots turns out to be worthwhile
Narrative under Suspicion
Telling Stories Is Harder Than You Think
The \"New\" Epistemology
Narrative and Epistemology
Second Person?
Notes
6 A Postcard From The Edge in which postcards, undeliverable for lack of a recent address, can still be returned to sender
Playing Games
\"Beauty\" and the Critical Project
Showcase
The Subject of Eroticism
De-Distancing
Looking for Naughty Boys
Pimp versus Client
Return to Sender
Notes
7 The Story Of W in which lessons about reading metaphor against simplification are practiced to save Lucretia\'s (after) life, and struggle to find words to fit images proveides a model of integrative display
The Practice of Theory
Rape, Suicide, Signs, and Show
Contagious Logorrhea: Between Men
Vision Vying Violence: Between Women
Expository Writing
Notes
8 His Master\'s Eye in which it turns out not all modern men heed Shakespeare\'s will, to the detriment of their own enjoyment; but some do, and thus teach cultural analysis about its subject
A Vision That Is Not (One)
Portrait of the Expert as an Old Man
Vision against Vision
The Interests of Realism
The Master\'s Piece
The Women Talk (Back)
Self-reflection Exposing Modes of Vision
Notes
9 Head Hunting in which \"Judith\" demonstrates that epistemology is not the prerogative of philosophers, and images will point out, for last time, what can be shown, and what cannot
The Missing Head
Epistemic Risks and Gentileschi
Vision and Narrative as Epistemologies
\"Judith\" as Epistemology, Gentileschi as Philosopher
Laying Bare
Notes
Works Cites
Index