توضیحاتی در مورد کتاب Early Chinese Manuscript Collections: Sayings, Memory, Verse, and Knowledge
نام کتاب : Early Chinese Manuscript Collections: Sayings, Memory, Verse, and Knowledge
عنوان ترجمه شده به فارسی : مجموعههای دستنویس اولیه چینی: گفتهها، حافظه، آیه و دانش
سری : Studies in the History of Chinese Texts; 14
نویسندگان : Rens Krijgsman
ناشر : Brill
سال نشر : 2023
تعداد صفحات : 232
ISBN (شابک) : 9004536272 , 9789004540842
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 8 مگابایت
بعد از تکمیل فرایند پرداخت لینک دانلود کتاب ارائه خواهد شد. درصورت ثبت نام و ورود به حساب کاربری خود قادر خواهید بود لیست کتاب های خریداری شده را مشاهده فرمایید.
فهرست مطالب :
Contents
Figures
Acknowledgements
Introduction
1 A Note on Orality
2 Collecting Text in a Manuscript Culture
3 Collections in Manuscript Form
4 The Form and Use of Collections
5 The Role of Collections in Early China
6 Sources and Caveats
7 Outline of the Study
Chapter 1 Manuscript Materiality: Organizing Sayings in a Collection
1 The Unborn Laozi: of Materiality and Building Blocks
2 Sound-based Organization: The *Yong yue
3 Visually Enhanced Organization
3.1 Creating a Building Block: Punctuation and Rhyme in the Fan wu liu xing
3.2 Clustering the “Already Said”: The *Yucong 4
4 Building Blocks That Form Arguments
4.1 Visualizing Argumentative Form: The *Yucong 2
4.2 Wedding Principles and Sayings: The *Yucong 3
4.3 Using Saying Collections: Comparative Evidence
5 Conclusions
Chapter 2 Collecting Stories: The Reformation and Integration of the Past
1 A Fragmented Past: Songs of Ancestors and Lords
2 The Rongchengshi: Forging an All-embracing Narrative about the Past
2.1 Structuring a Cultural Lineage
2.2 Colonizing the Past
2.3 A Formulaic Framework for the Past
2.4 Causality: Forging a Continuous Chain of Events
3 Warring States Developments in Representing the Past
3.1 Doubt in Antiquity: The *Tang Yu zhi dao and Zi Gao
3.2 Conflict in the Master Narrative of the Past: The *Gui shen
3.3 Restructuring Cultural Memory: The *Qiong da yi shi
4 Conclusions
Chapter 3 Collection and Canon: The Formation of a Genre
1 Developments in the Use of Verse
1.1 Large-scale Collections: Little Influence?
1.2 Small-scale Collections of Verse
2 Emergent Properties in Verse Collections
2.1 Grouping by Genre: The Zhougong zhi qin wu
2.2 Performing Authorship: The Qi ye
3 Shi as a Commented Collection
3.1 The Shifting Label
3.2 Verse and Performance Part Ways
4 Teaching Verse as Poetry: The *Kongzi shi lun Read through the *Xing zi ming chu
5 Conclusion
Chapter 4 Collecting and Disseminating: Using Technical Knowledge
1 Early Records of Divination: Baoshan, Tangweisi, and Geling
2 Warring States Prayer and Divination Collections
2.1 The Collection as Manual: The Shanghai Museum *Bu shu
2.2 Collections That Store: The Tsinghua *Zhu ci and the Back of the Beida Qin Slips
2.3 Mobile Prayer and Spell Collections: The *Dao ci and *Ci zhu zhi dao
2.4 The *Ci zhu zhi dao
3 Daybooks and Related Collections of the Early Empires
3.1 Professional and Personal Selections of Technical Knowledge: Zhoujiatai
3.2 Sacrifice and Daily Life: Yueshan
4 Conclusions
Conclusion: A Manuscript Culture’s Response to the Proliferation of Text
Bibliography
Index