دانلود کتاب Early Larkin

فهرست مطالب :

Half Title
Title Page
Copyright Page
Dedication
Contents
Acknowledgements
Abbreviations
Introduction
‘The Dixon problem’
Twentieth-century Larkin
Larkin and personae
Twenty-first-century Larkin
Prospectus
Chapter 1: A portrait of the artist as a young man: The Larkin-Sutton letters
Epistolarity
War and letter-writing
A shared artistic identity
Writerly anxieties
Influence
Lawrence
Art and life
Chapter 2: Larkin’s short fictions
Very early Larkin
‘Maurice’ and ‘The Eagles Are Gone’
‘Story I’ and ‘Peter’
‘An Incident in the English Camp’
Chapter 3: Brunette Coleman: Experiments in genre
Who is Brunette Coleman?
Coleman’s critical reception
‘Why are these books so bad?’
Connolly and Orwell
The ‘Ideal Book’
Fiction, the reading public and the Leavises
Chapter 4: Brunette Coleman: Experiments in gender
Characterization
Plot
Narration
Sex and sexuality
‘It’s good because it’s awful’: Coleman’s camp
The end of an oeuvre
Chapter 5: The outward turn: Larkin’s novels
Coleman’s legacy
John’s otherness
Jill and the problems and possibilities of authorship
Perspective
Political perspectives
Sympathy
Gender
Chapter 6: The Coleman effect: Sugar and Spice and Larkin’s early poems
The influence of Yeats
The influence of Hardy
Sugar and Spice
‘Femmes Damnées’
Coleman’s delayed influence
Brunette Coleman and The North Ship
Coleman, 1966
Coleman, 1978
Chapter 7: Larkin’s first great poems
No For An Answer and A New World Symphony
‘Round the Point’
The poetry workbooks
Larkin’s first major poems
‘At Grass’
‘Deceptions’
Chapter 8: The Less Deceived
Larkinesque
Absences and continuities
Gender
Genre and persona
‘Church Going’: Tradition and community
Notes
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Conclusion
Bibliography
Works by Philip Larkin
Other works
Index