دانلود کتاب Eastern European Music Industries and Policies after the Fall of Communism: From State Control to Free Market

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Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
List of figure and tables
Notes on contributors
Acknowledgements
PART I: Introduction
1. Contextualising research on the Eastern European music industries
2. Creating a market economy in Eastern Europe: Economic reform as the central theme in the transition
PART II: Russia
3. Piracy as an institutionalised social practice in Soviet and
post-Soviet Russia
4. ‘We have no music industry!’ Exploring the context of
post-Soviet music making through the lens of contemporary
Swedo-Russian collaborations
PART III: Central Europe
5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunification
6. Collective management of copyright during communism and transition – A case study of the Society of Authors ZAiKS
7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political
circumstances over fifty years of the Polish music industry
8. Pohoda: the importance of Slovakia’s greatest festival
9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary
PART IV: Southeast Europe
10. The Romanian music scene: The social economy of pop music in the post-socialist period
11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music scene
12. The Yugoslav and post-Yugoslav alternative rock canon presented in the music press
Index