دانلود کتاب Ecology and Contemporary Nordic Cinemas: From Nation-building to Ecocosmopolitanism

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Cover\nHalf-title\nTitle\nCopyright\nContents\nIntroduction\n The framework for ecocinema\n Defining ecocinema\n Cinema and its ecological potential\n Resource practices and cultural conceptions of nature in the Nordic countries\n Environmental films and Nordic nation-building\n Transnational ecocinema in the global North\n Ecocriticism and the Nordic film cultures\n Transnational as a challenge to the anthropocentric nation: Eco-cosmopolitanism\n From the transnational to the transvergent\n Transvergent approaches to anthropocentricism\n Organization of the book\n The relevance of Nordic ecocinema\n1 National Cinema as Natural Cinema?\n The ideological structures of the rural utopia\n Cinema and the appropriated landscape\n ‘Natured gender’\n The natural male caricature in Shooting the Sun\n The sensitive male as a natural phenomenon\n Gender and the limitations of the anthropocentric worldview\n Ecofeminist perspectives\n The anthropocentric gaze and heritage: Eternal Moments\n The anthropocentric gaze and beyond\n Gender, national identity, narrativity and nature\n2 Ecovariations of Genre Film\n The Nordic deer western\n Denaturalizing nation-buildingand masculine identity\n Revisionist masculinity and the natural mirror\n Towards an ecocritical approach: North\n Conclusions\n3 The Horror Film in an Ecological Context\n Norwegian slashers\n Open season on anthropocentric logic\n Human animals\n The Icelandic ecoslasher: Ecotourism and resource management\n A divergent take on the ecohorror genre: Dead Snow\n Of elves and trolls: Mythical ecomonsters and commercial national cinema\n Natural resources for the international markets: Rare Exports\n Ecophilosophical understandings of national narratives: Sauna\n Ecotopic understandings of human nature relations: Thale\n Discrediting the environmentalist ethos through ecohorror: Body of Water\n Conclusion: Convergence, divergence and transvergence in ecohorror\n4 Education or Indoctrination: Children’s Cinema\n Ecoanimation as a transnational practice: The Ugly Duckling and Me and Disco Worms\n Animism as a convergent tool: Help, I’m a Fish and Niko – The Way to The Stars\n Anthropomorphic objects as narrators of ecocinema\n The Magic Crystal and the fallacies of commercial animated ecocinema\n Conclusion\n5 Urban Ecologies of the Nordic Welfare State\n Consumption patterns and the contemporary Nordic malfare society\n Well-being and human ecology\n Roy Andersson’s cinematic suspension\n The man without a natural past\n Global Iceland and ecosystemic rehabilitation\n Conclusion: Human ecology and Nordic ecocinema\n6 Brownfields of Late Capitalism\n Liminal spaces between the urban and the rural: Jar City\n The Pusher trilogy as urban ecocinema\n The absence of nature as a nihilistic disconnection: R\n From coal to culture power: Nordkraft\n The welfare state ecology and remains of the agricultural infrastructure\n Brownfields of the welfare state\n Towards a dystopian future: Metropia\n Conclusion: Urbanity as a transvergent phenomenon\n7 Intercultural Approaches to Ecocinema\n Interculturalism in the Norden: As If I Wasn’t There\n Cultural encounters in natural spaces\n Liminal natural space and the road: Bye Bye Bluebird\n Intercultural harmony and food consumption\n Conclusion: Anthropocentric undercurrents of intercultural encounters\n8 Ecopolitics of Multicultural and Minority Cinemas\n A hybrid approach to multicultural cinema\n Deconstructing naturalization: The case of ‘minority’ cinema\n Ecocritical rhetoric in Sámi documentaries\n Fictional encounters with a dominant culture: The case of Non Profit\n The cinema of the Sámi in an ecological framework\n The Kautokeino Rebellion and deprioritizing the ecological\n Ethnographic ecodocumentaries\n Conclusion\n9 Responsibility and the Nordic Model\n Nordics abroad\n Relating to the world: Mammoth\n Nordic exceptionalism\n The problems of exceptionalism: After the Wedding\n Nordic exceptionalism as a global model\n Conlusion: A global perspective on Nordic ecocinema\n10 Eco- cosmopolitan Urges and Documentary Film\n Critical perspectives on the egodocumentary\n Environmental politics on a global scale: Bananas!\n Even the word Finland scares us: Transnational documentary and critical perspectives on Nordic responsibility\n Taking care of the globe at home: Ecodocumentaries and everyday responsibility\n Temporality and the planetary implications of local resource management\n Beyond individualism\n Rax Rinnekangas and cosmopolitan nodality\n Conclusion: The ecodocumentary and Nordic exceptionalism\n11 Representing the End Times\n Refusing the spectacle of ecocatastrophe: It’s All About Love and running out of objectifications\n The human as organic material: Corporeal challenges\n Twisting worlds: Transvergent imaginaries in Christoffer Boe’s films\n Transvergent approaches to the anthrobiogeomorphic machine\n The end of ideology and the apocalyptic ecoimagination\n Conclusion\nOpenings and Conclusions\nNotes\nBibliography\nIndex