دانلود کتاب Edly's Music Theory for Practical People

فهرست مطالب :

 Prelude
To Students, Teachers, and Other Potential Readers
Prelude to the Third Edition
About Reading Music… or Not
Acknowledgements
Finding Your Way Around
 Edly’s Quick Guide to Notation
1 The Musical Alphabets: Natural & Chromatic
The (Natural) Musical Alphabet
Half-Steps, Whole-Steps, and Octaves
The Importance of Scales: A Pep Talk
The Chromatic Scale
2 The Major Scale
Double Sharps and Double Flats
3 Major Keys & Key Signatures
“Newest Accidentals”
Key Signatures
Determining the (Major) Key From a Key Signature
Key Signature Memory Aids
4 Diatonic Intervals
5 Chords: Triads
Overview of Basic Chord Anatomy
Creating Minor Intervals
Ear-Training Preview
6 Diatonic Harmony
Harmonizing a Major Scale
Diatonic Triads
7 Chord Inversion
Identifying an Unknown Chord By Inverting
Chord-Tone Doubling
8 Chromatic Intervals
Chromatic Alteration of Intervals
9 I, IV, V & The Twelve Bar Blues
Twelve Bar Blues: Part 1
Blues Phrase Structure
Blues Chordology
10 iim, iiim, vim, & vii°
Common Progressions That Include iim, iiim, & vim
11 Minor Scales & Keys
The Major’s Sad Cousin: The Relative Minor…&
Your Cousin Alice
Relative Minor Chords… & Keys
The Natural Minor Scale
Using the Major Scale to Define Other Scales
The Harmonic Minor Scale
The Melodic Minor Scale
12 The Circle of Fifths (& Fourths)
The Circle… and Keys
The Circle… and Chords
13 Chords: 7ths (& 6ths)
Contemporary Chord Nomenclature Pep Talk
Symmetrical Chords & Functions
14 Diatonic Chords & Functions
Diatonic Seventh Chords
Diatonic Chord Functions in Major Keys
Diatonic Chord Functions in Minor Keys
15 Interval Inversion
16 Intervals for Ear-Training
Categorizing Intervals By Their Sound
Ear-Training Methods
17 Secondary Chords
Secondary Dominants
Other Secondary Chords
Multiple Secondary Dominants
Modulating with Secondary Chords
18 Transposition
Basic Transposition… Transposing Melodies
More Advanced Transposition… Transposing Chords
Transposition and “Transposing Instruments”
Transposing by Changing Clefs
19 Cadences
Cadence Types & Definitions
20 Tritone Substitution
The “Sub Five” chord
The “Substitute iim7” chord
21 Natural Modes
The Importance of Modes: Another Pep Talk
Summary of the Modal Discovery Process
22 Pentatonic & Blues Scales
Pentatonic Scales
The Blues Scale
23 More Scales
“Artificial” or “Unnatural” Modes
“Exotic” Pentatonics
Whole-Tone and Diminished Scales
Scales from Mercury
24 Chords: 9ths, 11ths, & 13ths
Ninth Chords
Diatonic Ninth Chords
Eleventh Chords
Thirteenth Chords
25 Chords: Summary & Exceptions
26 Diatonic Modal Chords
Modal Chord Functions
27 Blues Structure Part 2
28 Some Other Common Song Forms
Song Anatomy 101
Some Common Song Forms
29 Improvisation Ideas
Improvising By Paraphrasing the Melody
Improvising From Scratch
Scale/Mode Choices in Improvisation
30 By Ear
 Prelude To The Remaining Chapters
31 Choosing Extensions & Alterations
Extensions and Alterations By Chord Type
Building Upon Sparse Two-Five-One Voicings
32 Ingredients of Voicings
Chord Range
Chord-Tone Spacing
Doubling
Omission
33 Categories of Voicings
Close Voicings
Open Voicings
Open & Close Voicings Versus Inversions
Drop Voicings
Clusters
Voicings-in-Fourths
Chord-Over-Bass-Note (or “Slash”) Voicings
Rootless Voicings
Upper-Structure Voicings
Chord-Tone Placement and Low-End Limits
Voicings: Quick Summary
34 Voice Leading
Voice Leading in Multiple Secondary Dominants
Voice Leading Exceptions
Parallel Fifths & Octaves
35 Harmonizing a Melody
36 Analyzing Chord Progressions
37 Reharmonization
 Coda
 Answers
 Glossarindex