دانلود کتاب Establishment of "Drama" Orientation: Transition of the Research Paradigm of Chinese Dramas in the 1920s and 1930s

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Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
Foreword 1
Foreword 2
Foreword 3
Preface
1. Introduction
Origin and significance of the topic
Main object of study
An overview of previous research
Basic proposition and methods
2. The whole story of the National Drama Movement
Emergence of the National Drama Movement
Analysis of the historical status of the National Drama Movement by academia
What exactly is the “national drama”?
3. The evolution of ideas and exploration of vision
From literature orientation to opera orientation
Historical feats of newspapers and periodicals: the proposition and
construction of the concept of “drama study”
Appendix: textual research and argumentation
4. Drama-oriented drama art criticism
Historical review
Historical transcendence
5. Theoretical understanding of the “whole drama”
Study and discussion of performance art
Summary and development of the art of dramatic writing
The rise of the theories of directing and stage art
Recording and arrangement of operatic literature materials
6. Different research perspectives on “drama”
Proficiency in Chinese and western academic thought and in master of
business and academic research
Self-observation and theoretical self-consciousness of artists
6.3 Emphasis on the close connection between dramatic arts and social reform
7. Epilogue
Research on “Chinese opera” in the 1920s to 1930s: influence on
Chinese drama history
Interaction between Chinese drama and graphic media in the 20th
century
Bibliography
Afterword
Index