دانلود کتاب European Litanic Verse: A Different Space-Time (Literary and Cultural Theory)

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Cover\nContents\nAcknowledgments\nAbbreviations\nNote on Texts and Translations\nIntroduction\nPart I: The Origins of Litanic Verse\n 1 Ancient Experiments with the Metrical Litany\n 2 Litany and Mathematics\n 3 The Origins of Litanic Verse in Song\n 4 The Origins of Litanic Verse in Prose\n 5 Litanic Verse as an Embryonic Form of Verse\nPart II: The Genre of Litany\n 6 Terminological Considerations\n 7 The Litanic Genes\n 7.1 The Ektenial Gene\n 7.2 The Chairetismic Gene\n 7.3 The Polyonymic Gene\n 7.3.1 The Egyptian Henotheistic Hymn\n 7.3.2 Benedictions in the Monotheistic Hymn\n 7.3.2.1 The Hymn of the Three Youths\n 7.3.2.2 Psalm 136\n 7.3.2.3 The Hymns of Ephrem the Syrian\n 7.3.2.4 A Return to the Bible\n 7.3.3 On Balance\n 7.4 Merging the Genes\n 7.4.1 The Byzantine Salutations: The Polyonymic and Chairetismic Genes\n 7.4.2 The Litany of the Saints: The Polyonymic and the Ektenial Genes\n 7.4.2.1 The List of Maxims\n 7.4.2.2 The List of Heroes\n 7.4.2.3 The Cataloging Charms and Lorica\n 7.4.3 The Litany of Loreto: The Polyonymic + the Ektenial + the Chairetismic Genes\nPart III: The Generic Worldview of the Litany\n 8 The Structure of the Generic Worldview\n 8.1 What is the Generic Worldview?\n 8.2 The Concentric Space-Time\n 8.2.1 The Paradox of the Circle\n 8.2.2 Artistic Conceptualizations of the Concentric Space-Time\n 8.3 The Semantics of the Litanic Components\n 8.3.1 The Basic Two-Component Scheme\n 8.3.2 Three- and Four-Component Schemes\n 8.3.3 Tendencies to Introduce One-Component Schemes\n 8.3.4 Conclusions and Consequences\n 8.3.4.1 The “Circle Sector Technique” and the “Cross-Section Technique”\n 8.3.4.2 Non-Litanic Enumerations\n 8.3.4.3 Theological Consequences\n 8.4 The Communication System within the Litany\n 8.4.1 The Superaddressee\n 8.4.2 The Authorized Speaking Voice\n 8.4.3 The Semantic Content of the Apostrophe\n 8.4.4 Mediation\n 8.5 The Issue of Time\n 9 Antonomasia\n 9.1 Antonomasia in the Rhetorical Tradition\n 9.2 Antonomasia in the Context of Other Tropes and Linguistic Phenomena\n 9.3 Wonderful Names\n 9.4 Multinamedness\n 9.5 Antonomasias in Practice\n 9.6 Litanic Narration\nPart IV: The Emergence and Development of the Poetic Litanies\n 10 Divisions in the Church, Divisions in Poetry\n 10.1 The Ektenial Gene in the Church and the Poetic Litanies\n 10.2 The Chairetismic Gene in the Church and the Poetic Litanies\n 10.3 The Poetic Litany in the Context of Private Piety\n 11 The Parallel Existence of the Polyonymic Gene in Poetry\n 12 Versification in the Church Litanies and Poetic Litanies\n 13 The Art of Paraphrase, Commentary and Self-Commentary\n 13.1 Poetic Paraphrases of the Church Litanies\n 13.2 Poetic Commentaries on the Church Litanies\n 13.2.1 The Medieval Period\n 13.2.2 The Post-Reformation Period\n 13.3 Self-Commentary as a Specific Technique of Litanic Verse\n 14 The Litany’s Relation to Other Genres\n 14.1 The Litany versus the Sonnet\n 14.2 The Litany and the Remaining Medieval Genres\n 14.3 The Litany versus Early Modern Genres\n 15 Interpretations—Reinterpretations— Experiments\n 15.1 Interpretations of the Generic Resources\n 15.2 Reinterpretations of the Generic Resources\n 15.3 Experimenting with the Generic Worldview\n Conclusions\n Selected General Bibliography\n Index of Subjects\n Index of Names