دانلود کتاب European Visions: Small Cinemas in Transition

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Contents\nList of Illustrations\nAcknowledgments\nIntroduction: Towards a Politics of Scale\nIndustry/Funding\n The Risk Environment of Small-Nation Filmmaking\n Maltese Cinema? Politics and Identity on Screen from Independence to EU Accession\n Luxembourg’s Film Finance Model, Andy Bausch, and Cultural Identity\n The Best of Both Worlds. Taking Advantage of Two Linguistic Traditions in Irish Film\nHistory/Memory\n Anxiety, Memory, and Place in Belgian Cinema\n Varieties of Smallness. A Swedish Art Film (Persona), a Polish Documentary (Hear My Cry)\n At the Crossroads of Time. Memoirs and Becoming in Benone Todica’s Documentary Our Journey\n The Archival Impulse and the Digitization of European Film History. The European Film Gateway Project\nRealism and its Discontents\n Framed by Definitions. Corneliu Porumboiu and the Dismantling of Realism\n In the Country of Panpan. Romanian Dark Fun Cinema in and out of Focus\n A Decade with the New Romanian Cinema. Stories of Life in an Extramoral Sense\nGenre/Adaptation\n “A Typical Icelandic Murder?”. The “Criminal” Adaptation of Jar City\n How Corto Maltese Died Wayfaring Strangers on the Frontiers of Europe in Milcho Manchevski’s Dust\n Exposed: A Short History of Austrian Science Fiction Film\n The “Quixote” Myth and the New Eastern Europe. A Hermeneutic Study Based on Film\nSmall Screens/Private Cinema\n The Moral Microhistory of Post-Communism. Zanussi’s Weekend Stories\n Polish Film Culture in Transition. On the “Private Films” of Andrzej Kondratiuk (1985-1996)\n Desires and Memories of a Small Man. The Poetic Documentaries of Lithuanian Filmmaker Audrius Stonys\nBeyond the National\n Félix Guattari and Minor Cinema\n Veit Helmer’s Tuvalu, Cinema Babel, and the (Dis-)location of Europe\n At the Crossroads of Genre and Identity. An Aesthetics of Distance in Thomas Arslan’s From Afar\n National or Transnational German Cinema Post-1989?. The Films of Helke Misselwitz and Sibylle Schönemann\n The Cinema of the Abject and the Cinema of Capitalist Fantasy in Poland\nContributor Biographies