دانلود کتاب Event-Space: Theatre Architecture and the Historical Avant-Garde

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Cover
Title
Copyright
Dedication
Contents
List of figures
Preface: toward a theory of ‘spacing’ through avant-garde action
Acknowledgements
Introduction: event-space: a performance model for architecture
Architecture as event
Event-space: a useful paradigm in motion
Space (becoming-performance of architecture)
Event (becoming-architecture of performance)
(Re)Birth of the will-to-destruction
Avant-gardism and modernism
1 Disciplining the bourgeois glory machine
“Our provisional theatre at Bayreuth”
The baroque model and post-revolutionary performativity
Garnier’s architecture as mise-en-scène
The glory machine
The case of Bayreuth
A new public
The invisible theatre
2 Absolute space: universal landscapes
“The Beginning . . . The Birth . . .”
Absolute stage space
Symbolist “Theatre of the Mind”
Dancing architectures
Duncan’s temple
Spatial rhythm and universal landscapes
Adolphe Appia
Architecture as temple-laboratory
Hellerau
Resisting the black void
The new monumentality of absolute space
3 Abstract space: toward an architecture of alienation
The “Troubled Art”: avant-gardism divided
City as a “Montage of Attractions”
Stage space – Space Stage
Bauhaus festivities
Total Theatre: the “Great Stage Machine”
Architectures of alienation
Ghost in the machine
4 Abject space: toward an architecture of cruelty
Violence takes centre stage
Spatial violence
Bravo! And Boom, Boom!
Abjection: eROTic object
Palace of Culture
Enter Artaud (Flinging Bombs)
An architecture against architecture
A site of recovery
Dis-eased body
Ex-ploding space
De-centring architecture
Cruel machine
Conclusion: making architecture tremble
Nietzsche’s architect(ure)
Building Babel
Bibliography
Index