دانلود کتاب Fair and Varied Forms: Visual Textuality in Medieval Illuminated Manuscripts

فهرست مطالب :

List of Illustrations
Preface
Introduction
Chapter One: Graphic Signification
Perception and Conception
Potency of Images and Words
Modes of Interaction and Substitution: Metaphoric Tropes
Structure in the Graphic Field
Contexts
Chapter Two: Inner Space, Outer Space, Graphic Space: Words and Pictures in Anglo-Saxon Culture
The Print-Culture Bias
Anglo-Saxon Attitudes Toward Scribes, Illustrators, and the Visual
Anglo-Saxon Readers and Writers
Anglo-Saxon Artisans
Image Veneration
Anglo-Saxon Illustrated Books
Patterns of Identification: Schemata
Patterns of Interaction and Substitution: Metaphoric Tropes
Patterns of Relationship: Spatial Models
Images of Time
Time and Space on the Manuscript Page
Chapter Three: The Reading Subject and the Devotional Text: The Harley Psalter
The Manuscript
The Psalms in Anglo-Saxon Life
Purpose of the Harley Psalter
Psalm 33
Psalm 1
Psalm 113
Patterns of Relationship: Cosmic Space
Patterns of Identification: Schematization and the Representation of Women
The Political Nature of the Psalter
Patterns of Interaction and Substitution: More on Metaphor
Chapter Four: Narrative Time in Graphic Space: The Illustrated Hexateuch
The Manuscript
Patterns of Identification: Schemata
Patterns of Interaction and Substitution: Metaphoric Tropes
Patterns of Relationship: Movement in Narrative Space
Spatial Time
Allegorical Time
Chapter Five: My Monster, Myself: \'The Marvels of the East\'
The Manuscript
The Monstrous Races
Patterns of Identification: Schematic Monsters
Patterns of Interaction and Substitution: Dog-Ants and Valkyry-eyed Beasts
Patterns of Relationship: Occupying the Framed Space
Chapter Six: Marginal Portraits and the Fiction of Orality: The Ellesmere Manuscript
Changes in the Making and Reading of Texts Since the Eleventh Century
Chaucer and the \'Canterbury Tales\'
Patterns of Relationship: Page Layout and the Reader
Modes of Identification: Schemata and Discursive Detail
Patterns of Substitution and Interaction: Metonymic Focus on Orality
Conclusion
Notes
Bibliography
Author Index
Subject Index