دانلود کتاب Fascist Modernism in Italy: Arts and Regimes

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Cover\nContents\nList of Figures\nAcknowledgements\nPrologue\nParode\n Autonomy and Heteronomy: Regimes\n Modern Subjectivities: Liberalism vs Fascism\n Historicizing Spectacles\n Agons\n A Note on Sources\nAgon 1: Realism and Fascist State Art\n Dissonances: Geographies\n Synthesis: State of the Art\n Hypothesis I: Realism at the Boundaries of Collective Subjectivities\n Fusions I: Towards a New State Art\n Fusions II: The Peripheries, the Futurists et al.\n Theatre of Objects I: Realisms + Avant-gardes\n Fusions III: Building the Modern Novel\n Theatre of Objects II: To Carla, Michele and All the Others\n Theatre of Objects III: The Boundaries of Realism: Constructing a Collective Subjectivity?\n Theatre of Objects IV: Embodied Modern Subjects\nAgon 2: The Fascist New Man/Woman and the Bourgeois Ulysses\n Synthesis: What is Public Art?\n Dissonances: Heads of Mussolini\n Hypothesis I: The Total Work of Art\n Fusions I: Spaces of, and for, Public Art\n Hypothesis II: Monumentalism: Visualizing Subjectivity and Objectivity\n Fusions II: Visualizing Visions, 1933 V Triennale\n Fusions III: Visualizing Visions, 1936 VI Triennale and X Biennale\n Theatre of Objects I: Mail and Rails\n Theatre of Objects II: E42\n Hypothesis II: The Reality of the New Man/Woman\nAgon 3: Architecture and the Arts in the Public Domain\n Synthesis: Arte di Stato and the Art of Building\n Fusions I: Architectural Functions, 1923–36\n Theatre of Objects I: The Novocomum\n Fusions II: Towards a New State Art: From Milan to Rome via Turin\n Theatre of Objects II: Case Brutte, Case Economiche, Case Tipo\n Theatre of Objects III: Rationalist Villas\n Theatre of Objects IV: Case Minime, Case Popolari\n Theatre of Objects V: New and Old Towns: Urban Planning\nAgon 4: Art and Construction: The Avant-gardes\n Dissonances: Photodynamism\n Synthesis I: Autonomy and Heteronomy\n Synthesis II: The Relationship between Modernity and Modernization as a Dialectical Project\n Fusions I: Futurisms and Their Politics\n Hypothesis I: Linee\n Hypothesis II: Universo Meccanico\n Fusions II: The Machine of Exhibitions: 1924–30\n Theatre of Objects: Analogie Cosmiche\n Fusions III: The Machine of Exhibitions: 1932–3\n Fusions IV: Abstracticism\nAgon 5: Aerofuturism: Journeys and Explorations\n Prepare for Take-off\n Suspended in the Air\n Prepare for Landing\n Towards an Aesthetic of War, 1934–44\nExodus\nBibliography\nIndex