دانلود کتاب Fashion Curating: Critical Practice in the Museum and Beyond

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Cover page\nHalftitle page\nTitle page\nCopyright page\nCONTENTS\nLIST OF FIGURES\nLIST OF PLATES\nLIST OF CONTRIBUTORS\nACKNOWLEDGMENTS\nINTRODUCTION: FASHION CURATING IN THE MUSEUM AND BEYOND\n Notes\n References\nSECTION ONE INSIDE THE MUSEUM\n 1 CONFRONTING FASHION’S DEATH DRIVE: CONSERVATION, GHOST LABOR, AND THE MATERIAL TURN WITHIN FASHION CURATION\n Introduction\n The material turn and fashion\n Fashion conservation as ghost labor\n From background to foreground\n “The intuitive approach”\n The death drive of objects and the myth of neutrality\n Conclusion\n References\n 2 PERMANENCE AND IMPERMANENCE: CURATING WESTERN TEXTILES AND FASHION AT THE ROYAL ONTARIO MUSEUM\n Object research, selection, interpretation and exhibitions\n Building the collection, philosophy and research\n Exhibitions in the Patricia Harris Gallery of Textiles & Costume\n Making it different: exhibitions in a permanent gallery\n BIG, Fashion Follows Form and ¡Viva México!: 2012–2016\n Note\n References\n 3 UNFAMILIAR PLACES, LOCAL VOICES: FOUR EMERGING CURATORIAL NARRATIVES IN AUSTRALIA (2010–2016)\n Local heroes—curating an Australian designer survey\n Fashion playgrounds—curating for children\n Performative curator—critique of fashion in the exhibition space\n Fashion destinations—exhibition as place branding\n Conclusion\n Notes\n References\n 4 FASHION CURATION AT MOMU: DIGITAL CHALLENGES\n Background\n MoMu Antwerp Fashion Museum\n Digital archives\n The digital introduced in MoMu’s exhibitions\n Conclusion\n Notes\n References\nSECTION TWO THE INDEPENDENTS\n 5 PROPS AND OTHER ATTRIBUTES: FASHION AND EXHIBITION-MAKING\n Notes\n References\n 6 STAGING FASHION IN SOMERSET HOUSE, LONDON\n Introduction\n London as a global fashion city\n Somerset House\n Exhibitions at Somerset House: From Skin and Bones to Guy Bourdin: Image Maker\n Conclusion: towards curatorial investigation of fashion\n Curatorial credits for Somerset House exhibitions cited\n References\n Reports\n 7 BOUTIQUE—WHERE ART AND FASHION MEET : CURATING AS COLLABORATION AND CULTURAL CRITIQUE\n Where art and fashion meet: collaboration as curatorial theme\n Beyond garments: fashion as installation\n New editions: New York–Tokyo–Berlin\n Fashion curating: a form of cultural analysis\n Note\n References\n Unpublished documents\n 8 FROM LESBIAN AND GAY TO QUEER: CHALLENGING THE HEGEMONY IN COLLECTING AND EXHIBITING LGBT FASHION AND DRESS\n Lesbian and gay styles in the “Streetstyle” exhibition\n Tokenistic representation?\n Sexuality and sexual orientation in museums\n Collecting policies for LGBTQ materials in museums\n Exhibiting LGBT fashion\n Conclusion\n Notes\n References\n 9 INTERVENING FASHION: A CASE FOR FEMINIST APPROACHES TO FASHION CURATION\n Critical curatorial practice\n Feminist fashion curation\n A feminist intervention: The Politics of Appearance\n Critical fashion and feminist practice\n K8 Hardy: Untitled Runway Show\n The continued need for a critical engagement with fashion\n Notes\n References\nSECTION THREE BEYOND THE MUSEUM\n10 FASHION MUSEUMS AND FASHION EXHIBITIONS IN ITALY: NEW PERSPECTIVES IN ITALIAN FASHION STUDIES\n Introduction\n Fashion as historical-artistic heritage and the rise of fashion museums in Italy\n Fashion exhibitions\n A new wave: the project of a national museum of fashion\n Didactic exhibitions, display projects and research at the University of Bologna\n Conclusions\n References\n11 BEYOND GARMENTS: REORIENTING THE PRACTICE AND DISCOURSE OF FASHION CURATING\n Fashion materialities\n Fashion sensorium\n Performing fashion\n Conclusion\n Notes\n References\n12 FASHION CURATES ART: TAKASHI MURAKAMI FOR LOUIS VUITTON\n Introduction: the relationship between the fields of art and fashion\n Takashi Murakami: the art of commercial culture\n Murakami and Louis Vuitton: a symbiotic fusion of art and fashion\n Marc Jacobs and the curation of art for fashion\n Notes\n References\n13 ARTIFICATION AND AUTHENTICITY: MUSEUM EXHIBITIONS OF LUXURY FASHION BRANDS IN CHINA\n Introduction\n Issues of authenticity: the rationale behind artification of luxury brands\n Manifesting historical patrimony of luxury giants through story-telling exhibitions\n Achieving legitimacy: taking museums as the venue of storytelling\n Making legends of brand founders\n Manipulating artistic “contagion”\n Establishing connections with Chinese art\n Conclusion\n References\nINDEX