دانلود کتاب Foreigners in Ancient Egypt: Theban Tomb Paintings from the Early Eighteenth Dynasty (1550–1372 BC)

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Cover page\nHalftitle page\nSeries page\nTitle page\nCopyright page\nDedication\nContents\nIllustrations\nPreface\nAcknowledgements\nAbbreviations\n1 Introduction\n2 Background\n Previous research\n Discussion of problematic terms\n The tomb owners and their titles\n3 The Cosmic Significance of the Tomb\n4 Foreigner Types\n Contrasting foreigner types\n5 Palatial Decorations\n The nine bows\n People types occurring with the nine bows\n Fully human captives\n Associated motifs\n Surviving palatial objects\n The purpose of audience halls\n Conclusions\n6 Underlying Egyptian Concepts in Tribute Scenes\n Exchange in the tribute scenes\n Symbolism in fishing and fowling scenes\n Visual organization of tribute scenes\n Foreigners as agents of chaos\n Dancing girls\n The ‘international style’ in Egypt, the Aegean and the Levant\n Hybridism\n Captive and tribute-bearer motifs in the same tomb\n7 Funerary Symbolism in Tribute Scenes\n Nubia (tombs 39, 63, 78, 81, 84, 89, 91 and 100)\n The Levant (tombs 39, 42, 63, 78, 81, 84, 85, 86, 89, 90, 91,100, 119, 131, 155, 239, 256 and 276)18\n The Aegean (tombs 39, 71, 85, 86, 89, 100, 131 and 155) 37\n The oases (tombs 39, 81, 86, 131 and 155)\n Punt (tombs 39, 100 and 143)\n Chapter conclusions\n8 Between Symbolism and Historical Veracity\n International diplomacy and trade\n Campaigns of the early eighteenth dynasty kings\n9 Conclusions\nAppendix 1\nAppendix 2\nNotes\nBibliography\nIndex