دانلود کتاب Freedom and Censorship in Early Modern English Literature

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Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
List of Illustrations
Notes on Contributors
Acknowledgements
Textual Note
General Introduction: “To be seen and allowed”: Early Modern Regulation Practices
PART I: Burning, Forbidding, Controlling: The Power of Censors
1 An Incident in the History of English Book Burning
2 Satire, Immoderation and the Bishops’ Ban of 1599
3 “I like not this”: Censorship, Self-Censorship and Collaboration in Early Modern Dramatic Manuscripts
4 The Limits of a Censor’s Authority: The Case of the Masters of the Revels
PART II: Dramatic Constraints, Dramatic Freedom: Case Studies
5 Revisiting an Old Controversy: Censorship in Doctor Faustus
6 “An you talk in blank verse”: The Poetics of Liberty in As You Like It
7 The Malcontent’s Fool, Censorship and the Construction of the Subject
8 “Let him speak no more”: Trust, Censorship and Early Modern Anti-Confession
PART III: Censorship on the Page: Translation, Poetry, and Editorial Practices
9 What Florio did not Translate: The Return of the Repressed in the English Rendering of Montaigne’s Essays
10 Spenser’s Strategies of Indirect Representation in The Faerie Queene (1590)
11 (Self-)Censorship in Lady Mary Wroth’s The Countess of Montgomery’s Urania (1621–1630?)
12 “No cloudy stuff to puzzle the brain”: ‘Fair Editing’ and Censorship in John Benson’s Edition of Shakespeare’s Poems (1640)
Coda: Early Modern English Censorship in European Context
Bibliography
Index