دانلود کتاب From Post-Yugoslavia to the Female Continent: A Feminist Reading of Post-Yugoslav Literature

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Cover
Contents
I Introduction: On Post-Yugoslavia and the Female Continent
I 1. Post-Yugoslav Literature: A Utopia and a Field
I 2. A Feminist Framing of the post-Yugoslav Literary Field
I 3. Summary
II Women’s Writing and Critical Nostalgia: On Ildiko Lovas’ Fiction
II 1. Borders of Time and Space and Authorship: “Via del Corso I”
II 2. On Real and Fictional Identities: “Stvarni konobar”
II 3. Totalitarianism and Misogyny: “Zlatna priča”
III Post-Yugoslav Écriture Féminine
III 1. Tanja Stupar Trifunović’s Satovi u majčinoj sobi: ‘Writing the Body’ as a Signpost
III 1.1. To Meet the (M)other
III 1.2. Female Difference and Writing
III 2. Tea Tulić’s Kosa posvuda: How to Write the Death of Mother
III 2.1. Female Camaraderie vs. Real World
III 2.2. Back to Chora? On Mother and Writing
III 3. Ivana Bodrožić’s Hotel Zagorje: The Death of the Father and the Coming of Age as the War Novel
III 3.1. To be a Refugee: Internalization and Reproduction of Enmity
III 3.2. Lures and Fears of Coming of Age
III 3.3. An Absent Witness to the Father’s Death
IV The Other Writing: Atonement and Female Authorship in Snežana Andrejević’s and Luka Bekavac’s Fiction
IV 1. Snežana Andrejević’s Životu je najteže: A ‘Two‐faced’ Narrator
IV 1.1. On the Front Line: Trans, Trance
IV 2. Luka Bekavac’s Drenje and Viljevo: Beyond Severed Ends of Space and Time
IV 3. The Medium is the Message: Female Voices and Sound
V What to Do With the Past? Feminist Literary Historiographies I: Olja Savičević Ivančević’s Adio, kauboju
V 1. On the Real, Fictional and Female Cowboys
V 2. Staging the Western. Why the Past Does Not Fit the Present?
V 3. Saint Fjoko Festival: Difference and the Carnevalization of Gender
V 4. The Body/House Trope: Essentialization and Emancipation
V 5. Marija Čarija’s Western: Righteousness and Tragic Heroin
V 6. Migrant, Worker, Author: An Open End as the Beginning
VI What to Do With the Past? Feminist Literary Historiographies II:Slobodan Tišma’s Bernardijeva soba
VI 1. Objects of the Past, Past of the Objects: Past as Belonging(s)
VI 2. Parental Home: On (Im)possible Identifications
VI 3. Pol and Politika: Women in Pairs and the Politics of Literature
VI 4. Colonizing a Utopia: Jouissance, Difference and Authorship
VI 5. Neo‐avant-garde and Feminist Foundations of post-Yugoslav Literature
VI 5.1. Appendix: Situationist International and the Esoteric Neo‐avant-garde in Bernardijeva soba
VII Conclusions. Inherited Possibility, Or: Choosing The Optimal Variant
Bibliography