دانلود کتاب From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century

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Contents
Preface
Acknowledgements
List of Illustrations
List of Tables and Figure
Notes on the Contributors
Introduction: From ‘Renaissance’ to ‘Baroque’? • Jonathan P . Wainwrigh
1 Baptiste’s Hautbois: The Metamorphosis from Shawm to Hautboy in France, 1620–1670 • Bruce Haynes
2 A Commentary on the Letter by Michel de La Barre Concerning the History of Musettes and Hautboys • Marc Ecochard
3 The Woodwind Instruments of Richard Haka (1645/6–1705) • Jan Bouterse
4 Basstals or Curtoons: The Search for a Transitional Fagott • Graham Lyndon-Jones
5 The Iconographic Background to the Seventeenth-Century Recorder • Anthony Rowland-Jones
6 The Renaissance Flute in the Seventeenth Century • Nancy Hadden
7 The Flute at Dresden: Ramifications for Eighteenth-Century Woodwind Performance in Germany • Mary Oleskiewicz
8 How did Seventeenth-Centure English Violins Really Sound? • Peter Trevelyan
9 The Development of French Lute Style 1600–1650 • Matthew Spring
10 The Early Air de Cour, the Theorbo, and the Continuo Principle in France • Jonathan Le Cocq
11 From Stops Organical to Stops of Variety: The English Organ from 1630 to 1730 • Dominic Gwynn
12 Upgrading from Consorts to Orchestra at the Wiirttemberg Court • Samantha Owens
13 From Violin Band to Orchestra • Peter Holman
14 Organological Gruyère • Jeremy Montagu
Workshop Report 1: J.S. Bach’s Actust ragicus: ‘Gottes Zeit ist die allerbeste Zeit’ (BWV 106) • Andrew Parrott
Workshop Report 2: The French Baroque Orchestra: Lully, Charpentier, Couperin • Graham Sadler
Bibliography
Index