دانلود کتاب Gao Xingjian and Transmedia Aesthetics

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Cover
Title
Copyright
Table of Contents
List of Figures
Chapter 1: Introduction
Part I: Philosophical Inquiry
Chapter 2: Gao Xingjian and Philosophy
Chapter 3: Gao Xingjian Exemplifying a Renaissance in Today’s World
Chapter 4: An Insignificant Individual’s Defiance
Chapter 5: The Art of Gao Xingjian
Chapter 6: Women and the Dao in Gao Xingjian’s Works
Part II: Trans-Discipline, Trans-Genre, Trans-Media and Trans-Culture
Chapter 7: Nonattachment and Gao Xingjian’s Neutral Actor
Chapter 8: Gao Xingjian’s Search for a Scenic Dramaturgy and Cinematic Language in Song of the Night
Chapter 9: Two Gao Xingjian Exhibitions Launched Simultaneously in Brussels during 2015
Chapter 10: The Mind’s Eye
Chapter 11: Chan Buddhist Scenography and Gao Xingjian’s Opera Snow in August
Part III: Cine-Poems with Paintings, Dance, and Music
Chapter 12: Floods and Forests
Chapter 13: Bodies and Paintings
Chapter 14: From Theater to Cine-Poetry
Chapter 15: Inlaying Images and Seeing Poetry
Part IV: Identifying and Defining the Self
Chapter 16: Gao Xingjian Autobiography, Auto-fiction, and Poetry
Chapter 17: Working Through Trauma in Gao Xingjian’s One Man’s Bible
Chapter 18: Identity and Creation
Chapter 19: The Authorial Self in Gide’s The Fruits of the Earth, Pessoa’s The Book of Disquiet, and Gao Xingjian’s Soul Mountain
Epilogue
Bibliography
Index
About the Contributors
Praise for Gao Xingjian and Transmedia Aesthetics
Cambria Sinophone World Series