دانلود کتاب Gender Meets Genre in Postwar Cinemas

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Cover
Title Page
Copyright
Contents
Acknowledgments
Introduction
PART ONE. REFIGURING GENRE AND GENDER
1 The Genius of Genre and Ingenuity of Women
2 No Fixed Address: The Women’s Picture from Outrage to Blue Steel
3 Circulating Emotion: Race, Gender, and Genre in Crash
4 100% Pure Adrenaline: Gender and Generic Surface in Point Break
PART TWO. POSTFEMINISM AND GENERIC RE-INVENTIONS
5 Troubling Genre/Reconstructing Gender
6 Bodies and Genres in Transition: Girlfight and Real Women Have Curves
7 Private Femininity, Public Femininity: Tactical Aesthetics in the Costume Film
8 Generic Gleaning: Agnès Varda, Documentary, and the Art of Salvage
PART THREE. GENDER AESTHETICS IN \"MALE\" GENRES
9 It’s a Mann’s World?
10 Up Close and Personal: Faces and Names in Casualties of War
11 Gender Hyperbole and the Uncanny in the Horror Film: The Shining
PART FOUR. GENRE AND GENDER TRANSNATIONAL
12 Emotion, Subjectivity, and the Limits of Desire: Melodrama and Modernity in Bombay Cinema, 1940s-
13 Woman, Generic Aesthetics, and the Vernacular: Huangmei Opera Films from China to Hong Kong
Chapter 14 Homoeroticism Contained: Gender and Sexual Translation in John Woo’s Migration to Hollyw
PART FIVE. GENERIC “TRANS-INGS”: BETWEEN GENRES, GENDERS, AND SEXUALITIES
15 Trash Comes Home: Gender/Genre Subversion in the Films of John Waters
16 Femme Fatale or Lesbian Femme: Bound in Sexual Différance
17 “The Gay Cowboy Movie”: Queer Masculinity on Brokeback Mountain
Contributors
Index