دانلود کتاب Global Animation Theory: International Perspectives at Animafest Zagreb

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Cover\nHalf-title\nTitle\nCopyright\nContents\nForeword\nIntroduction\nSection 1: Historical and Theoretical Approaches from International Animation Studies\n 1. Animation since 1980: A Personal Journey\n 2. Animation in the Gallery and the Gestalt: György Kovásznai and William Kentridge\n 3. On Analogical Thinking: Jan Švankmajer’s Jabberwocky and Alice\n 4. The Successful Chorus of ‘The Second Wave’: An Examination of Feminism’s ‘Manifesto’ of Digital Art\n 5. Seeking Truth in Facts: Historicizing Chinese Animation\n 6. Austria Unlimited – Chances, Spirits and Limitations of a Small Production Environment\n 7. Beyond Self-images: The Context and Development of Animated Documentaries, the Cornerstones of Modern Animation in Sweden\nSection 2: Case Studies from Around the World\n 8. Short Circuits: On the Impact of the Flipbook in the Work of Robert Breer\n 9. ‘. . . The Film Is Not About That’: Notes on (Re)Reading Tale of Tales\n 10. The Importance of Ranko Munitić’s Work on the Zagreb School of Animation\n 11. Animation Experienced through Music: Tomislav Simović and the Zagreb School of Animation\n 12. The Puppet as Not-Puppet: The Notion of Puppet as ‘Human in Theatrical Performance’ in the Works of Barry Purves (the Case of Screen Play)\n 13. Subversive Machinery: DIY Method in the Work of Julian Antonisz\n 14. Lynsey Martin: A Case Study of 1970s Australian Experimental Animation\nList of Contributors\nIndex