دانلود کتاب Global Trafficking Networks on Film and Television: Hollywood’s Cartel Wars

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Cover Half Title Series Page Title Page Copyright Page Dedication Contents Figures Acknowledgements Introduction: Cartel media Cartel mediascapes Orientalism in cartel media Book structure: understanding Hollywood's cartel wars References Films cited Television shows cited 1. How Touch of Evil set the rules for Hollywood cartel cinema Seedy border tales Charlton Heston doing brownface in dark, exotic, dangerous Mexico Mike Vargas and the "lawful cop" trope From Welles' Touch of Evil to Soderbergh's Traffic: the genealogy of Hollywood cartel cinema Conclusion Suggested viewing References Films cited Television shows cited 2. Cartel Westerns: The new frontier (South of the border) "Amexica", the mythic site of the cartel Western No Country for Old Men: brown corpses as background The Last Stand and Rambo: Last Blood: 1980s strongmen fighting the cartels Conclusion: Clint Eastwood's last stand Suggested viewing References Films cited Television shows cited 3. From Weeds to Ozark: The suburbs, threatened Weeds and the pot entrepreneur Ozark and the problem with greed Conclusion: when trafficking preserves privilege Suggested viewing References Films cited Television shows cited 4. Queen of the South: Doing linguistic mish-mash and "Mexican face" Se habla español, but you must speak English Queen of the South, or when any Mexican-sounding dialogue will do Linguistic mish-mash and "Mexican face" in Queen of the South Conclusion Recommended viewing References Films cited Television shows cited 5. Walter White and the use of Brown bodies in Breaking Bad White bodies as worthy Black and Brown bodies as conduits for white salvation Walter's baptism of blood Brown bodies as expendable, subhuman Conclusion Suggested viewing References Films cited Television shows cited 6. The Sicario saga and chromatic othering The border and "chromatic othering" Sicario and the border as infestation of "bad hombres" Sicario: Day of the Soldado: a cautionary tale for the Trump era Conclusion Suggested viewing References Films cited Television shows cited 7. Netflix's Narcos: Cartel media in the age of digital distribution Pablo Escobar: screen icon and cartel media commodity Building El Jefe de Jefes as a cartel entrepreneur Conclusion: Netflix or franchising history Suggested viewing References Films cited Television shows cited Video game cited 8. "El Chapo" gets the Netflix treatment: Theorising cartel mythologies El Chapo in the Sinaloan imaginary El Chapo does Netflix: when cartel crime equals political corruption Narcos: Mexico or the origins of the myth Conclusion: Cartel leaders as media commodities Suggested viewing References Films cited Television shows cited Video game cited Postscript: Cartel media beyond Hollywood Suggested viewing References Films cited Television shows cited Index