دانلود کتاب Grinding California: Culture and Corporeality in American Skate Punk

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Table of Contents\nAcknowledgments\nINTRODUCTION: “Let’s skate!”\n A Brief Note on Subcultures\n1 CONTEXT\n 1.1 The Body and Interlocking Expressions\n 1.1.1 Lived Bodies: Movement, Forces, and Politics\n 1.1.2 Body, Postmodernism, and Capitalism\n 1.1.3 An Intersectional Access: Approaching Skate Punk\n 1.2 The Context\n 1.2.1 The USA of the 1980s\n 1.2.2 The Middle Class and Intersections with Race and Gender\n “The Myth of the Middle Class”\n Race and Class\n Masculinity and Whiteness\n 1.2.3 Suburbia\n Suburbia and Utopia\n Postsuburbia\n The (Post-) Suburban Home and the Tax Payers’ Revolt\n Cultural Vacuum in a Consumption-Oriented Landscape\n 1.2.4 Skateboarding\n Three Paradigms in Skateboard History\n Surfing: From Ancient Hawaii to Suburban California\n Dogtown: Surf and Skate Rebellion\n After Dogtown: Skateboarding in the 1980s\n 1.2.5 Punk and Hardcore Punk\n The 1980s as a Starting Point for Hardcore Punk\n Hardcore Punk and the Suburban Middle Class\n Race and Whiteness within Hardcore Punk Culture\n Masculinity in Hardcore Punk\n 1.3 Conclusion\n2 CONTENT\n 2.1 Introduction\n 2.1.1 On Skate Punk\n 2.1.2 Skate Punk and Popular Culture\n 2.2 Skate and Hardcore Punk Lyrics in their Cultural Context: Between Banality and Blankness\n 2.2.1 Song Lyrics in a Postmodern Dialog\n Space: Suburban Homes and Local Beaches\n Class: Home Is Where?\n Race: “White Minority” as a Subject Position in Hardcore Punk\n Gender: Bored Boys and Skate Punk Lyrics\n 2.2.2 Conclusion: Beyond the Lyrics\n 2.3 Flyers: Skate Punk Art and Scribbled Handbills\n 2.3.1 Copied in Seconds\n 2.3.2 Flyer Genealogies: Historical Traces\n 2.3.3 Skulls, Skeletons, and the Bomb: Skate Punk Flyers in their Cultural Context\n 2.3.4 Conclusion: Flying Matters – The Material Component of Skate Punk Flyers\n 2.4 Thrasher: Skate Punk in Magazines\n 2.4.1 A Magazine with “Hardcore Spirit”\n 2.4.2 The First Issues: Radical Images and Skate Punk Fiction\n 2.4.3 Pools and Nightmares\n 2.4.4 Hegemonic Masculinity: Bikinis, Betties, and Wild Riders of Boards\n Bikinis and Betties\n Wild Riders of Boards\n 2.4.5 Conclusion: Established Patterns with a Hardcore Surface\n 2.5 Skate Punk Videos\n 2.5.1 Video (R)evolution\n 2.5.2 Skate Video Narratives: Old Tropes and a New Medium\n Streets on Fire\n Possessed to Skate\n 2.5.3 Conclusion: Moving On\n 2.6 Conclusion\n3 CORPOREALITY\n 3.1 Introduction\n 3.2 Approaching the Concrete\n 3.3 Producing Presence through Skateboarding and Hardcore Punk\n 3.3.1 Adding “Volume”\n 3.3.2 Falling and Slamming\n 3.3.3 Producing a Suburban Seascape\n 3.3.4 Speeding Through Suburbia\n 3.3.5 The Grind of the Voice\n 3.4 Getting Closer\n 3.4.1 “Adrenaline Aesthetics” and the Reduction of Distance\n 3.4.2 Molecular Revolution\n 3.5 Conclusion: Grinding on the Most Tenuous Borders of Discourse\nCONCLUSION AND OUTLOOK: It’s All About Access\nWORKS CITED\n Books, Essays, Articles, Commentary\n Films & Videos\n Magazines and Newspapers\n Personal Interviews\n Songs