دانلود کتاب Handbook of Music and Emotion: Theory, Research, Applications

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Contents
List of contributors
PART I: OVERTURE
1. Introduction: aims, organization, and terminology
PART II: MULTI-DISCIPLINARY PERSPECTIVES
2. Emotions expressed and aroused by music: philosophical perspectives
3. Emotion in culture and history: perspectives from musicology
4. At the interface between the inner and outer world: psychological perspectives
5. Towards a neurobiology of musical emotions
6. Exploring the habitus of listening: anthropological perspectives
7. Emotion as social emergence: perspectives from music sociology
PART III: MEASUREMENT
8. Self-report measures and models
9. Continuous self-report methods
10. Indirect perceptual, cognitive, and behavioural measures
11. Psychophysiological measures
12. Functional neuroimaging
PART IV: MUSIC MAKING
13. Emotion and composition in classical music: historiometric perspectives
14. The role of structure in the musical expression of emotions
15. Emotion and motivation in the lives of performers
16. The role of negative emotions in performance anxiety
17. Expression and communication of emotion in music performance
PART V: MUSIC LISTENING
18. Music in everyday life: the role of emotions
19. Experimental aesthetics and liking for music
20. Strong experiences with music
21. Musical expectancy and thrills
22. How does music evoke emotions? Exploring the underlying mechanisms
PART VI: DEVELOPMENT, PERSONALITY, AND SOCIAL FACTORS
23. Perspectives on music and affect in the early years
24. Preference, personality, and emotion
25. The influence of affect on music choice
26. Politics, mediation, social context, and public use
27. Cross-cultural similarities and differences
PART VII: APPLICATIONS
28. Music education: the role of affect
29. Music therapy
30. Music, health, and well-being
31. Music as a source of emotion in film
32. Music and marketing
PART VIII: ENCORE
33. The past, present, and future of music and emotion research
Index
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