دانلود کتاب Hollywood and the Invention of England: Projecting the English Past in American Cinema, 1930–2017

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Cover\nHalf Title\nTitle\nCopyright\nContents\nAcknowledgements\nIntroduction: England, Their England\n1 The Uses of Literature: Adaptation and Englishness in the 1930s\n Sound, censorship and ‘better pictures’\n ‘Properly English and properly Dickensian’: David Copperfield (1935)\n ‘The best possible literature’: A Midsummer Night’s Dream (1935)\n Literature at war: Wuthering Heights (1939) and Pride and Prejudice (1940)\n2 Abstractions of Empire: Filming British Imperialism in the 1930s and 1940s\n ‘Ruling and protecting these countless millions’: The Lives of a Bengal Lancer (1935)\n ‘One of the most distinguished events in history’: The Charge of the Light Brigade (1936)\n ‘Delightfully evil in the Fascist sense’: Gunga Din (1939)\n Empire films and the Second World War\n3 Ideology and Adventure: The Post-War Swashbuckler Film\n ‘A nation divided’: Ivanhoe (1952)\n ‘Under banners unknown’: Knights of the Round Table (1953)\n4 Cosmopolitanism and the Cold War: Historical Epics in the 1950s and 1960s\n ‘A show on film’: Around the World in 80 Days (1956)\n ‘The magic of distant places’: Lawrence of Arabia (1962)\n5 Boom and Bust: The English Past in the Swinging Sixties\n ‘A living past’: Tom Jones (1963) and The Charge of the Light Brigade (1968)\n ‘Intimate spectacle’: Becket (1964) and Anne of the Thousand Days (1969)\n Manhattan transfer: My Fair Lady (1964) and Camelot (1967)\n6 Intimations of Quality: English Heritage and the ‘Specialty’ Film in the 1980s and 1990s\n ‘A holiday out of time’: Heritage film and American indies\n ‘Films of consequence’: Heritage goes to Hollywood\n ‘An emotional event’: The rise of Miramax\n7 Pirates, Wizards and Wardrobes: The English Past in the Contemporary Family Film\n Licensing the past: Intellectual property, conglomeration and the franchise boom\n Fantastic rebates and where to find them: Global production and incentive schemes\nConclusion: An Available Past\nBibliography\nIndex