دانلود کتاب How to Direct Shakespeare

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Cover\nContents\nList of Figures\nAcknowledgements and Thanks\nIntroduction\n1 You\n2 Him\n3 The Director and the Text\n Part One: The World (Who’s Who)\n Part Two: Reading the Play\n Part Three: Analysing the Play\n Part Four: Entering Shakespeare’s World\n4 Awayday 1: Dramatic Energy (How Does He Do It?)\n Apposition\n Metaphor\n Metre and Pulse\n Line Endings\n Word Play: Rhyme, Alliteration and Assonance\n Vocabulary\n Shape and Structure\n5 Let’s Design It! The Eye\n Your Designer\n To Start:\n Wall of ideas\n Read out loud\n Analyse and discuss\n Brainstorm\n The Model\n A Methodology\n Space\n The mechanics: Floors\n The mechanics: Entrances and exits\n The mechanics: Axes\n The mechanics: Walls\n The Skeleton\n The Journey of the Play: Two Casebooks\n Playtime\n ‘In the Round’\n Thrust Stages\n Technology of Design: How to Get from A to B\n Colour, Texture and Decoration\n Storyboard\n Show and Tell\n FAQ: Design\n What if they don’t like what we’ve done?\n What if my designer and I get stuck?\n What if someone asks ‘What is your concept?’\n When should I involve the lighting designer in the process?\n Working with Costume Designers\n Costume and the Actor\n The Director and the Lighting Designer\n6 Design – The Ear\n Music\n Sound\n7 Casting the Play\n The Actor’s World\n Do I Cast the Actor or the Part?\n The Audition Process\n Putting It Together\n8 Awayday 2: Stanislavski and Actioning\n9 To Cut or Not to Cut, That Is the Question\n Length\n Shape\n Choice of Edition\n10 The Rehearsal Plan\n The Traditional Way of Organizing Rehearsals\n Basic Aims of Rehearsal\n Making a Plan\n Beginning\n Middle\n Nearly-at-the-end\n11 Rehearsing the Play: Beginning\n The Rehearsal Room\n Stage Management\n An Approach to Day One of Rehearsals\n12 Awayday 3: Improvisation\n Building a Company\n Building a Character\n Developing Relationships and Exploring the World of the Play\n Exploring Scenes and Situations in the Play without Using the Text\n13 Rehearsing the Play: End of the Beginning\n Work on Language\n Work on Character\n14 Rehearsing the Play: Middle\n Aims for Middle Section of Rehearsals\n Examples from Romeo and Juliet\n ‘The Tank’\n Blocking\n Blocking Large-scale Scenes\n Second Pass at Scenes\n What to Do if Your Actors Get Inhibited or Stuck\n15 Rehearsing the Play: End\n First Run Through: How Does it Work?\n How to Give Your Notes\n Second and Third Run Throughs\n Preparing for the Theatre\n16 Tech, Dress, Previews and Opening\n The ‘Tech’\n How to Set Up a Tech\n The ‘Dress’\n Curtain Calls\n Previews\n Opening\nIndex