دانلود کتاب Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power

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Cover page\nHalftitle page\nSeries page\nTitle page\nCopyright page\nDedication\nContents\nIllustrations\nAcknowledgements\nAbout the Author\nIntroduction\n1 Against Capitalist Realism: Thomas Ostermeier\n Hedda Gabler\n In the display case\n Violence to the end\n An Enemy of the People\n Excursus: Between cultures (Istanbul, May 2014)\n The relation to capitalism\n2 A Doll’s House in Chile: Dictatorship and its Aft ermath\n In silence: A Doll’s House at the Catholic University (1980)\n Nora under the (continuing) neoliberal regime\n Teatro Nacional: Alfredo Castro (2006)\n Teatro la Memoria (2011)\n In pursuit of Nora Helmer (2012)\n The Chilean way\n3 Ibsen under the Radar: Censorship and Artistic Expression\n Prelude: Double dolls in Hanoi\n Iran: A Doll’s House and The Wild Duck\n Dariush Mehrjui’s Sara\n The fragmented female\n The politics of clothing\n Decency and identification\n Tarantella\n The question of agency\n Life-lies in the theatre: My Wild Duck\n Ideals and critique\n Visual signs: The Master Builder from Beijing\n Concluding conjectures\n4 Three Chinese Dolls\n Beijing Doll’s House: Nora (1956)\n The performance\n Culture and/or gender: A Doll’s House in the ‘New Era’ (Beijing 1998)\n The changes of the ‘New Era’\n The adaptation\n Dancing dolls (Beijing 2010)\n Funding and re- funding\n Sino-Norwegian dance\n5 Peer Gynt in Africa: Some Notes on the Dangers and Ambiguities of Interculturalism\n The orient in the text 8\n Peer Gynt in Africa – Zimbabwe\n Peer Gynt on the Giza Plateau\n Between cultures\nCoda: From Dhaka to Mabou Mines\nNotes\nBibliography\nIndex