دانلود کتاب Identities in Flux: Race, Migration, and Citizenship in Brazil

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Contents
Preface
Acknowledgments
Introduction
In Defense of Identity
Defining Concepts
Socioeconomics of Post-Abolition Migrating Identities
Summary of Chapters
Chapter 1 The Afro-Brazilian Diaspora: From Slavery to Migrating Identities
Lusotropicalism as a Defining (Post)Colonial Concept
Of Social Exclusion, Racism, and Identity Formations
Gilberto Freyre and Anti-Freyrean Echoes
Against Slavery and Colonialism
Migrating Identities or (Trans)national Allegories?
Chapter 2 Zumbi dos Palmares: Relocating History, Film, and Print
Brazilian History, Slavery, and the Place of Zumbi
Theater as Empowering Agency: Teatro de Arena, Boal, and Guarnieri
Arena Conta Zumbi: From Colonial Myths to Dictatorial Realities
Quilombo, Carnivalization, and Zumbi Mythology
Relocating History, Film, and Fiction
Chapter 3 Xica da Silva: Sexualized and Miscegenated Body Politics
Historical Context
Literary Adaptations
Cinematic Adaptation
Versions and Revisions of History
Allegory of Brazilian National Identity?
Chapter 4 Manuel Querino: African Contributions to Brazil
Of Preambles and Dislocations
Reversing (Dis)locations
From African Contributions to Querino’s Legacy
Conclusion
Chapter 5 Jorge Amado’s Poetic License: Fictionalizing History
The Creative Construction of Pedro Archanjo
Parallels in Social History
Challenges to Fictional Adaptation
Pedro Archanjo in Film and Fiction
Racial Democracy as Historical Fiction
Chapter 6 Black Orpheus: Regeneration of Greco-Yoruba Mythologies
Conceptualizing Orpheus or Obatala in Ifá Divination
Ritual, Myth, and Cosmic Forces: The Imprisonment of Obatala
Orphism, Ritual Vision, and the Carnivalesque: From Orpheus and Orfeu da Conceição to Cinematic Adaptations
Features of the Grecian Orpheus
Dramaturgic Adaptations of Orpheus: Vinícius’s Orfeu da Conceição
Jorge de Lima’s Invenção de Orfeu
Cinematic Adaptation of Orfeu Negro
Cinematic Adaptation of Orfeu (1999)
Comparative Analysis and Conclusion
Chapter 7 City of God: The Ghettoization of Violence
Introduction
Theorizing Social Marginality
Globalizing the “Ghetto” through Cultural Dynamics
Cidade de Deus and Desde Que o Samba é Samba: Between Exu and Xangô in the Neo-Favela World
Capão Pecado: Bound to Social Violence
Conclusion
Conclusion
Notes
Bibliography
Index