دانلود کتاب Imagination, Music, and the Emotions: A Philosophical Study

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Contents
Introduction
Chapter I: Emotions, Moods, and Feelings
I.1. Introduction
I.2. What are Emotions?
I.3. Emotions, Beliefs, and Moods
I.4. Other Views: Martha Nussbaum’s Neo-Stoic Cognitivism
I.5. Paul Griffiths’s Theory
I.6. Jesse Prinz’s Somatic View
I.7. A Concluding Concession
Chapter II: Expression Theories and Arousalism
II.1. Introduction
II.2. Bruce Vermazen’s Expression Theory
II.3. Jerrold Levinson’s Persona Theory
II.4. Jenefer Robinson’s Theory
II.5. Contra Simple Arousalism
II.6. Aaron Ridley’s Moderate Arousalism
II.7. Derek Matravers’s Moderate Arousalism
II.8. Charles Nussbaum’s View
II.9. Conclusion
Chapter III: Metaphors and Metaphorism
III.1. Introduction
III.2. Against Metaphorism (Part 1)
III.3. Metaphorical Meaning and Paraphraseability
III.4. Against Metaphorism (Part 2)
III.5. Metaphors, Resemblance, and Imagination
III.6. Against Metaphorism (Part 3)
III.7. Conclusion
Chapter IV: Resemblance-Based Theories
IV.1. Introduction
IV.2. Resemblance-Based Views
IV.3. Criticisms
IV.4. Objections and Replies
IV.5. Conclusion
Chapter V: Imagination
V.1. Introduction: Different Kinds of Imaginings
V.2. Imaginative Perceptions and Perceptual Imaginings
V.3. Children’s Imaginings
V.4. Gregory Currie’s View
V.5. Imagination, Music Perception, and Musical Culture
V.6. Conclusion
Chapter VI: Imaginationism
VI.1. Introduction
VI.2. Against Formalism about Music
VI.3. How We Imagine in Relation to Music
VI.4. Why We Imagine in Relation to Music
VI.5. Musical Arousal
VI.6. Objections and Replies
VI.7. Conclusion
Summary and Conclusion
Notes
References
Index