دانلود کتاب Immanence and Immersion: On the Acoustic Condition in Contemporary Art

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Title Page
Copyright Page
Contents
List of Figures
List of Tables
Preface
Acknowledgements
Introduction
I.1 Immersion is the new orthodoxy
I.2 The ideology of immersion
I.3 Immersion and correlationism
I.4 Immanence and immersion
I.5 Exteriority and the outside
I.6 Exiting immersion
Chapter 1 Decentralization
1.1 Get Out of the Defensive Position
1.2 Transcendental empiricism: Approaching the edge of the circle
1.3 Negative duration
1.4 Prodigious simplification
Chapter 2 Infraesthetics
2.1 Extreme audition
2.2 Rolf Julius
2.3 Stephen Vitiello
2.4 Nina Canell
Chapter 3 Writing Out Sound
3.1 Writing and exteriority
3.2 Exteriority and the real
3.3 Sound recording and writing sound
3.4 Sound is always-already written out
Chapter 4 Immersive Phenomenology
4.1 Husserl
4.2 Merleau-Ponty
Chapter 5 Sonic Materialism
5.1 Affective matter
5.2 Material phenomenology
5.3 Sonic-material phenomenology
5.4 Sonic realism
Chapter 6 The Scientific Image
6.1 Ryoichi Kurokawa: Abstraction and the lifeworld
6.2 Towards a corruption of aesthetic sufficiency
Chapter 7 Repurposing Conceptualism
7.1 Immanence and representation
7.2 Extinction abounds: Katie Paterson
Chapter 8 The Stratification of Immanence
8.1 Immanence contra immersion
8.2 Beyond the circle
8.3 Immanence and an ethics of exteriority
References
Index