دانلود کتاب Immersion and Participation in Punchdrunk’s Theatrical Worlds

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Title Page\nCopyright Page\nContents\nFigures\nIntroduction\n Immersion and the sublime\n The technological gaze in interactive systems\n Designing for agency, not agents\nChapter 1: Immersion in Punchdrunk’s Theatre\n Working with Punchdrunk: sensing, making and thinking\n Scaling up: space, time, audiences\n Audience immersion on- and offline\n Theatres of action\n Notes\nChapter 2: A Genealogy of the Immersive Aesthetic\n Key influences on the immersive aesthetic\n Anti-realist modernism in experimental theatre\n Complicity and participation\n Blended spaces and the vertigo of transformation\n Punchdrunk’s emerging aesthetic\n Notes\nChapter 3: Punchdrunk’s Interactive Systems\n The shadow choreography and structure of Punchdrunk’s worlds\n Emergence and order\n Art-work and algorithmic audiences\n Notes\nChapter 4: Behind the Interface – Making Punchdrunk’s Storyworlds\n Building storyworlds\n Devising and performing\n Notes\nChapter 5: Audience Experience and Participation\n Analysing Punchdrunk audiences\n Active immersion\n The effects of anonymity\n Delinquent system aesthetics\n Notes\nChapter 6: The Shape of Agency in Interactive Storyworlds\n Perspectives on agency in interactive systems\n Scenography as experience infrastructure in physical and virtual worlds\n The postdigital sublime: beyond the digital mythos\n Notes\nChapter 7: Impure Futures\n Condemned to change\n The sublime versus efficiency\n Harnessing the un-modern\n Notes\nAppendix\n Analysis of interview data\n Social media data\nReferences\nIndex