دانلود کتاب Immersion, Identification, and the Iliad

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Cover\nImmersion, Identification, and the Iliad\nCopyright\nDedication\nPreface\nAcknowledgments\nContents\n1: Introduction\n 1.1. Overview\n 1.2. Terminology\n 1.3. Previous Scholarship\n 1.4. Outline of Chapters\nPART I: IDENTIFICATION AND THE ILIAD\n 2: The Study of Identification\n 2.1. Overview\n 2.2. The Components of Identification\n 2.3. The Triggers for Identification\n 2.4. Ancient Precedents for a Study of Identification\n 2.5. Character and Emotional Identification\n 2.6. Conclusion\n 3: Prompts for (a Study of ) Identifying with Characters\n 3.1. Overview\n 3.2. Recurring Features\n 3.3. Internal Narrators and Identification\n 3.3.1. Agamemnon on Tydeus\n 3.3.2. Nestor on Nestor\n 3.4. Conclusion\n 4: Identification with Mortals and Gods\n 4.1. Overview\n 4.2. Identification with Mortals\n 4.2.1. Agamemnon in Iliad 11\n 4.2.2. Andromache in Iliad 22\n 4.2.3. The Funeral Games in Iliad 23\n 4.2.4. Priam in Iliad 24\n 4.3. Identification with Gods\n 4.3.1. The Homeric Hymn to Demeter\n 4.3.2. Hera in Iliad 14\n 4.3.3. Thetis in Iliad 18\n 4.4. Limits to Identification\n 4.5. The Politics of Identification\n 4.6. Conclusion\nPART II: IMMERSION AND THE ILIAD\n 5: Ancients and Moderns on Immersion\n 5.1. Overview\n 5.2. Ancient Precedents for a Study of Immersion\n 5.3. Modern Studies of Immersion\n 5.4. Conclusion\n 6: Spatial and Spatio-Temporal Immersion\n 6.1. Overview\n 6.2. Spatial Immersion\n 6.3. Spatio-Temporal Immersion\n 6.4. Conclusion\n 7: Emotional Immersion\n 7.1. Overview\n 7.2. Suspense\n 7.3. Other Emotions\n 7.4. Conclusion\n 8: Content and Form\n 8.1. Overview\n 8.2. Inner Life\n 8.3. Ourselves\n 8.4. Formal Features\n 8.5. Conclusion\n 9: Conclusion\nWorks Cited\nIndex of Greek Passages\nIndex of Terms