توضیحاتی در مورد کتاب Installation Art as Experience of Self, in Space and Time
نام کتاب : Installation Art as Experience of Self, in Space and Time
عنوان ترجمه شده به فارسی : هنر نصب به عنوان تجربه خود، در فضا و زمان
سری : Curating and Interpreting Culture
نویسندگان : Christine Vial Kayser, Sylvie Coëllier
ناشر : Vernon Press
سال نشر : 2021
تعداد صفحات : 331
ISBN (شابک) : 9781648892769 , 9781648891328
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 17 مگابایت
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فهرست مطالب :
Table of figures
Editors’ Introduction
Christine Vial Kayser
IDEMEC- CNRS-Aix Marseille University
Sylvie Coëllier
Aix-Marseille University
Part I: Conceptual frame
I.1 Installation: looking back over a history of the term, its modes of appearance and its meanings
Sylvie Coëllier
Aix-Marseille University
I.2 With a beating heart: A neuro-phenomenological approach to the experience of some installations
Christine Vial Kayser
IDEMEC- CNRS-Aix Marseille University
I.3 Experiencing the other: intersubjectivity, alterity and artistic installation
Fabrice Métais
Aix-Marseille University, CNRS, PRISM
Part II: Installation and space
II.1 Approach to Carl Andre’s sculpture as a phenomenology of space and place
Jérôme Dussuchalle
II.2 Organisations d’espaces by Jean-Michel Sanejouand
Frédéric Herbin
Ecole Nationale Supérieure d’Art de Bourges
II.3 Near and far. On Mike Kelley’s Kandors
Charlotte Serrus
Part III: Installation and time
III.1 Their porous body: on Bruce Nauman’s San Jose Installation: infrastructure, and the experience of time
Dore Bowen
San José State University
III.2 From Dan Graham’s proprioceptive installations to Jesper Just’s “post-cinema” walks
Marie-Laure Delaporte
German Centre of Art History in Paris
III.3 Ann Hamilton: The conditions of attention
Pascale Saarbach
Strasbourg University
III.4 Musical installations: problematic works
Jacques Amblard
Aix-Marseille University
Part IV: Installations and Eastern philosophy of space and time
IV.1 The sense of emptiness in the installations of Onishi Yasuaki
Kim Hyeon-suk
Paris 8 University
IV.2 Art in situ or the site as art: A Japanese reception of contemporary art
Uemura Hiroshi
Kyoto University of the Arts
IV.3 The meditative space in the sound installation of Kim Kichul
Park Hye-Jun
Baekseok Arts University in Seoul
IV.4 Ikebana as an installation in the art of Teshigahara Sōfu and Hiroshi
Jacline Moriceau
Langarts
IV.5 The installations of the Chinese artist Xu Bing: the invisible space of language
Marie Laureillard
University Lumière Lyon 2
About the authors
Index