دانلود کتاب Interactive and Sculptural Printmaking in the Renaissance

فهرست مطالب :

‎‎Acknowledgments
‎List of Illustrations
‎Abbreviations
‎Introduction
‎Part 1. Revelatory Playthings: The Religious Origins of the Interactive Print
‎Chapter 1. Handling Religion
‎Chapter 2. Folding Triptychs
‎Chapter 3. Dials and the Printed Host
‎Part 2. Anatomy of the Reformation: Nosce Antichristum
‎Chapter 4. Anatomies both Normal and Deformed
‎Chapter 5. Bodily Shame
‎Chapter 6. Indecent Exposure to the Anatomically Incorrect
‎Part 3. Instrumentle auff Papir: Georg Hartmann of Nuremberg and the Printed Scientific Instrument Trade
‎Chapter 7. Georg Hartmann as Interactive Printmaker
‎Chapter 8. Instrument Printmaking before Hartmann
‎Chapter 9. Hartmann as Collaborator
‎Part 4. Consumption and Exploitation: The International Expansion of the Interactive Book
‎Chapter 10. Conspicuous Consumption and Private Presses
‎Chapter 11. Lotteries, Gaming, and the Public Reaction
‎Chapter 12. Liftable Skirts and Deadly Secrets
‎Afterword. A User’s Guide to Art?
‎Bibliography
‎Index of Names
‎Index of Modern Scholars
‎Index of Subjects
Catalogue A: European Single-Sheet Interactive Prints 1450-1700
Catalogue B: Interactive Books, 1474 - ca. 1750

Appendices:
Catalogue A: Interactive and Sculptural Single-Sheet Prints 1466–1700
Catalogue B: Interactive Books 1474 — ca. 1750