دانلود کتاب Interactive Documentary: Theory and Debate

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Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
List of figures
Acknowledgements
Introduction: Interactive documentary: theory and debate
Interactive documentary as (hybrid) documentary
Dimensions of interactivity
Engaging realities, shifting regimes of truth
Interactive Documentary: outline and approach
1. Documentary databases: on (not) telling stories in the possibility space
Documentary database desires
Structuring the possibility space: the braided voice of the database
documentary
Narrative databases
The database as narrative plus archive
Forking path narratives
Parallel narratives
Modular narrative
Non-narrative database documentaries
Categorical databases
The mosaic database
The poetic database
2. Participatory intensities: exploring interactive documentary practice
Participation: a response to the problem of power in documentary
making
Interactive documentary: a participatory continuum
Framing a microanalysis of interactive documentary participation
Interactive documentary participation: exploring participatory
intensities
Participatory intensities and documentary practices
3. Interactive documentary and the political: civic cultures and convening publics
Nurturing citizens: interactive documentary and civic cultures
4. Reality effects: simulation as interactive documentary practice
Simulation: imitating and approximating realities
Revealing realities: documentary practice as touchstone
Simulation and the documentary ambition of digital games
Conclusions
5. Stepping into the story for good: virtual reality (VR) and empathy in the context of first-person media
Immersion and presence: VR as first-person media
Being there or being them: exploring first-person positioning in VR
experiences
Being there: tourist, encounter, witness
VR for good: the pro-social VR agenda and the empathy debate
Stepping into the story for good: possibilities and further questions
6. The petabyte (anti)sublime: big data, knowledge, and interactive documentary
Documentary and ‘big data’: two pre-digital ideas
Big data: the myth of epistemic revolution
The sublime and anti-sublime: data visualisation and knowledge
Exploring digital oralities: interactive documentary and data
Beyond visualisation: gesturing toward a broader research agenda
Conclusion: from ‘mass extinction’ to renewal?
A mass extinction?
From algorithms to explainable AI?
Understanding ‘users’/‘participants’ (in context)
Questions of ethics
Bibliography
Index