دانلود کتاب Is the Sublime Sustainable? A Comparative Aesthetics Approach to the Sublime

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Contents
Note on Translations
Acknowledgments
Abstract
Introduction: Questioning the Sublime and Standing before a Waterfall
1 Locating the Sublime in the Euro-American Context
1.1 Establishing a Roadmap for the Sublime
1.2 Longinus, the Middle Ages, and Renaissance: Origin and Hibernation
1.3 The Eighteenth Century: the Golden Age of the Sublime
1.4 The Nineteenth Century: the Eclipse of the Sublime
1.5 The Twentieth and Twenty-First Centuries: a Sublime Revival
1.6 Summary
2 Sustaining Depth: Critiquing the Sublime with Theological Aesthetics
2.1 Question: Sublime vs. Beauty?
2.2 Answer: a Peaceful Beautiful-Sublime via the Analogy of Being
2.3 Sustaining Depth with Hiroshi Senju
3 Preserving Particularity: Critiquing the Sublime with Environmental Aesthetics
3.1 Environmental Aesthetic Perspectives on the Relation of Nature and Art
3.2 The Sublime in Nature and/or Art? Kant as a Touchstone
3.3 Recovering a Sublime That Links Nature and Art through Engagement
3.3.1 Bodily Engagement
3.3.2 Imaginative Engagement
3.3.3 Affective Engagement
3.4 Preserving Particularity with Hiroshi Senju
4 Cultivating Participation: Critiquing the Sublime with Critical Theory
4.1 Feminist Critiques
4.2 Racial Critiques
4.3 Political Critiques
4.4 Technological Critiques
4.5 Cultivating Participation with Hiroshi Senju
Conclusion: toward an Everyday Sublime
Keywords