دانلود کتاب Italian Film in the Shadow of Auschwitz

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Contents\nAcknowledgments\nHistorical Background Sketch\nPart One. Weak Memory: From the End of the Second World War to the End of the Cold War, with a Foray into the 1990s\n1. Ghost Stories: An Introduction\n2. A Diaphanous Body of Films\nPart Two. Recovered Memory: Contemporary Italian Holocaust Films in Depth\n3. The Haunting Strains of Holocaust Memory: Ricky Tognazzi’s Canone inverso (Making Love)\n4. A Childhood Paradise Lost: Andrea and Antonio Frazzi’s Il cielo cade (The Sky Is Falling)\n5. The Alter-Biography of the Other-in-Our- Midst: Ettore Scola’s Concorrenza sleale (Unfair Competition)\n6. The Holocaust Rescue Narrative and the End of Ideology: Alberto Negrin’s Perlasca, un eroe italiano (Perlasca: The Courage of a Just Man)\n7. The Present through the Eyes of the Past: Ferzan Ozpetek’s La finestra di fronte (Facing Windows)\nPostscript – A Glimpse at 2004: Il servo ungherese (The Hungarian Servant) and La fuga degli innocenti (The Flight of the Innocents)\nEpilogue: The Holocaust, the Cinema, and ‘the Italian Case’ in Ettore Scola’s ’43–’97\nBibliography\nFilm Index\nGeneral Index