دانلود کتاب Italian Imprints on Twentieth-century Architecture

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Cover page\nHalftitle page\nTitle page\nCopyright page\nCONTENTS\nILLUSTRATIONS\nLIST OF CONTRIBUTORS\nACKNOWLEDGMENTS\nCHAPTER 1 IMPRINTS AND TRACKS\nCHAPTER 2 THE ARCHITECT AS INTELLECTUAL\n An architecture of continuity\n Modern architecture to the rescue\n Regional diversity and architectural culture\n The Tiburtino episode and Quaroni’s action\n Rogers and the revision of the modern movement\n Samonà’s new urban dimension\n An abundant printed production\n Architects and political life\nCHAPTER 3 ITALIAN AFTER THOUGHTS: TRANSCODING VENICENESS FROM WITHOUT\n Prelude: entering from the backyard\n I. Janus-responses—doublings\n II. Shells—whirlpools\n III. Stages—armatures\n Coda: imprints as anticipations, or “Hints of Attachments to Come”\nCHAPTER 4 ITALY AS A METHODOLOGICAL TESTING GROUND FOR ARCHITECTURAL HISTORY\n The acuteness of physical sensation\n Vincent Scully and the empathetic response\n Bruno Zevi and the spatial experience\n Colin Rowe and the abstract approach\nCHAPTER 5 FUNCTIONALISM AND ITS ITALIAN ENTANGLEMENTS\nCHAPTER 6 THE ITALIAN RENAISSANCE AS REBIRTH AND RETURN\n The making of the cupola of Florence Cathedral\n The making of Pienza\n The making of the Renaissance\nCHAPTER 7 FROM RENAISSANCE PRECISION TO COMPUTATIONAL UNCERTAINTY\n Inventing a notation\n Inventing a profession\n Inventing a reversal?\n On reinventing a discipline from without\nCHAPTER 8 THE HUMAN BODY AS A SPACE OF DIPLOMACY: STUDI SULLE PROPORZIONI AT THE IX MILAN TRIENNALE IN 1951\n Prelude: the meeting between Marzoli and Lombardo\n The exhibition\nCHAPTER 9 MODELS AND METHODS OF ARCHITECTURE AND CLIMATE\nCHAPTER 10 “SLOW DOWN YOUR KUNSTWOLLEN, YOUNG MAN” OR, WHAT A PRACTICE IN BUILDING DECONSTRUCTION LEARNED FROM TUSCAN ARISTOTELIANISM\nCHAPTER 11 ROBERT VENTURI AND NAPLES: THE COMPLEXITY OF THE SOUTH\nCHAPTER 12 GIO PONTI: A CLOUD OF AFFINITIES\nCHAPTER 13 MARKING, FRAMING, AND MEASURING (IN) VITTORIO GREGOTTI’S IL TERRITORIO DELL’ARCHITETTURA\nCHAPTER 14 ALDO ROSSI, GIORGIO DE CHIRICO, AND THE ENIGMA OF TRADITION\nCHAPTER 15 FURNISHING FASCIST ITALY\n Scene 1\n Scene 2\n Scene 3\nCHAPTER 16 THE INTERNATIONAL CALL: ITALIAN DESIGN, CULTURE, POLITICS, AND ECONOMICS AT THE 1972 MOMA EXHIBITION AND BEYOND\n The impresario and the manager: Emilio Ambasz and Gianluigi Gabetti\n Italian forces on the move\n Charting Italian design culture: the exhibition catalog\n A unique case\nCHAPTER 17 APPROPRIATING ALDO ROSSI: THE DISPLACED AFTERLIFE OF L’ARCHITETTURA DELLA CITT À IN CHINA\nCHAPTER 18 FROM THE UNIVERSAL TO THE PARTICULAR: ROBIN BOYD AND THE POSITIONING OF ITALY IN POSTWAR ARCHITECTURAL CRITICISM\nCHAPTER 19 UNEXPECTED PEDAGOGIES: HENRY HORNBOSTEL IN ITALY, 1893\nCHAPTER 20 ITALIAN ROOTS IN LATIN AMERICAN ARCHITECTURAL HISTORY\n Latin America from within\n Baroque quarrels\n Conclusion\nINDEX\nPlates