دانلود کتاب Jazz from Socialist Realism to Postmodernism (Jazz under State Socialism)

فهرست مطالب :

Cover
Contents
Introduction
I. The East and The West before 1989
Broadcasting Jazz into the Eastern Bloc – Cold War Weapon or Cultural Exchange? The Example of Willis Conover
Jazz in France 1917–1929: the Missing Object of the Reception
Valaida Snow: The First Multi-Instrumentalist between America and Europe
The Emergence of the Nordic Concept as a Precursor of Emancipation and Slovak-Scandinavian Relations (1950–1970)
Hungarian Free Jazz: Compositional and Improvisational Structures in the Music of György Szabados, as Exemplified in “The Wedding”
The Jazz Section and its Influence on the Development of Regional Cultures in Czechoslovakia before 1989: the Music Scene in Olomouc
Jazz Artists in the Former Czechoslovak Socialist Republic and Their Conflicts with the Socialist Ideology
The Different Careers of Slovak and Czech Jazz Musicians in the United States – Laco Déczi, Jan Hammer, Miroslav Vitouš, Jiří Mráz
Classical Music and Jazz as Inspirations for Modern Music Fusions
Who Best Knows What Jazz Is? The Legacy of L’ubomír Tamaškovič, a Unique Slovak Jazzman in Post-Modern Times
II. The East and The West after 1989
Toni Kitanovski and Cherkezi Orchestra – Global and Local Intercourse
Strategies of Domination or Ways of Differentiation from Rivals in the Jazz Field
The Changing Face of Slovak Jazz
Jazz Personalities after the Downfall of the Iron Curtain: Matúš Jakabčic and His Contribution to Slovak Jazz
Penetration of Jazz into Various Genres and Subcultures
Jazz: Made in Europe
Peter Breiner – A Slovak Musician
Jazz: Labour versus Opus