دانلود کتاب Jonathan Coe: Contemporary British Satire

فهرست مطالب :

Title Page\nCopyright Page\nContents\nNotes on Contributors\nPreface\n Works cited\n Notes\n Works cited\nChapter 1 Jonathan Coe: The Early Novels\n The Coe anti-hero\n A continuous dialogue with form\n Tone\n Note\n Works cited\nChapter 2 Jonathan Coe’s Stories of Sadness\n What little fun\n Lost opportunities\n Rich tea\n Monochrome\n Works cited\nChapter 3 Sexing Britannia: Jonathan Coe’s What a Carve Up! or the Re/de-Sexualization of Thatcherite Britain\n Margaret Thatcher and gender fluidity\n Margaret Thatcher: The woman, the sexuality\n What a Carve Up! and the glorification of the sterile\n Notes\n Works cited\nChapter 4 A Comedy of Horrors: Thatcherism in What a Carve Up!\n Works cited\nChapter 5 ‘These are my books’: What a Carve Up! and Video Aesthetics\n Notes\n Works cited\nChapter 6 What Became of the People We Used to Be?: The House of Sleep (1997) and the 1970s Sitcom, Whatever Happened to the Likely Lads? (1973–5)\n Works cited\nChapter 7 From Prog to Punk: Cultural Politics and the Form of the Novel in Jonathan Coe’s The Rotters’ Club\n Works cited\nChapter 8 Jonathan Coe’s The Closed Circle and a Satiric Mirror\n Works cited\nChapter 9 A Terrible Precariousness: Financialization of Society and the Precariat in Jonathan Coe’s The Terrible Privacy of Maxwell Sim\n Financialization and the financial crisis\n Precarious life\n Conclusion\n Works cited\nChapter 10 Jonathan Coe’s Rewriting of Popular Genres in Expo 58\n Note\n Works cited\nChapter 11 Gothic Horror and Haunting Processes in Jonathan Coe’s Number 11\n Notes\n Works cited\n Films cited\nChapter 12 Neo-Gothic Minutiae and Mundanity in Jonathan Coe’s Satire, Number 11\n Works cited\nIndex