دانلود کتاب Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond

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Cover\nAuthor Biography\nTitle Page\nCopyright\nDedication\nContents\nList of Illustrations\nAcknowledgments\nIntroduction.\r Whedon Studies and the Ghost of Horror\nPart I.\r (Under)Groundwork: Horror Concepts and Conventions in the Whedonverse\n 1.\r The Slasher Template: Buffy the Vampire Slayer vs. John Carpenter’s Halloween\n 2.\r The Sonic Horror of “Hush”\n 3. “The Body” That Will Not Sit Up: Shock, Stasis, and the Negative Space of the Horror Genre\n 4.\r The Melancholy Musical: Horror and Avant-Garde Strategies in “Once More, with Feeling”\n 5.\r Angel’s Dreams, Our Nightmares: Oneiric Horror in Angel and Buffy the Vampire Slayer\n 6.\r Dollhouse’s Terrible Places: Hauntings, Abjection, and the Repressed\n 7.\r Inscription and Subversion: The Cabin in the Woods and the Postmodern Horror Tradition\nPart II.\r Mutant Enemies: TV Horror, Industry, and Influence\n 8.\r “For All I Know, It Could Be Hilarious or It Could Suck”: Situating the Film Buffy the Vampire Slayer (1992) in Period Vampire Comedy\n 9.\r Monstrous Puppet Masters: Negotiating Violence and Horror in the Whedon Tele-verse\n 10.\r Forever Knight, Angel, and Supernatural: A Genealogy of Television Horror/Crime Hybrids\nPart III.\r “It’s About Power”: Revisiting Whedon’s “Revisionist” Horror\n 11. Whedon, Feminism, and the Possibility of Feminist Horror on Television\n 12.\r Weird Whedon: Cosmic Dread and Sublime Alterity in the Whedonverse\n 13.\r “All the Better to Know You”: Investigating the Hybrid Monster and Allegories of Self/Other in Buffy the Vampire Slayer\n 14.\r Horror and the Last Frontier: Monstrous Borders and Bodies in Firefly and Westworld\n 15.\r The Half-Lives of Horror: The Differential Embodiments of Dollhouse\nAppendix I.\r The Work of Joss Whedon and the Horror Tradition: A Selected Bibliography\nAppendix II.\r Foundational Works in Horror and Related Scholarship\nAbout the Contributors\nIndex