دانلود کتاب Latin American Documentary Narratives: The Intersections of Storytelling and Journalism in Contemporary Literature

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Half Title
Title Page
Copyright Page
Dedication
Contents
Figures
Preface
Foreword
Acknowledgements
Introduction
The journalist as storyteller
Intersections
Part I: Courage
Chapter 1: Naming the real
Non-fiction genres
Crónica
Literary journalism
Testimonio
Towards a theory of documentary narratives
The self
The other
Chapter 2: Publishing to survive
Gabriel García Márquez chooses to hide
Newspaper fictions
The author and the sailor
Rodolfo Walsh’s conversion to journalism
A story that never happened
Crafting the truth
Part II: Belonging
Chapter 3: Out of place
Elena Poniatowska: The lady behind the notebook
Lilus, Mariana and other strange women
A guilty catrina goes out
Carlos Monsiváis: A protestant reporter in a Catholic country
The centre of all margins
Mexico ‘camp’
The chronicler meets the people
Chapter 4: A certain effect of truth
Tomás Eloy Martínez and the Peronist palimpsest
Memories and news
A parody of journalism
History and the fictions of Evita
Deconstructing the myth
Searching for a magical-realist corpse
Part III: Listening
Chapter 5: Local conversations in globalized times
The journalist as protagonist
Martín Caparrós around the world
Juan Villoro’s aftershock stories
Approaching strangers: A dialogic method
Chapter 6: Being there
Who are you?
Empathic listeners, unreliable narrators
The potter’s hand
The vulnerable ‘I’
Conclusion
An erotics of testimony
Is there a new other?
Appendix interviews
Interview 1: Cristian Alarcón (La Unión, Chile, 1970)
Interview 2: Martin Caparrós (Buenos Aires, Argentina, 1957)
Interview 3: Arturo Fontaine (Santiago de Chile, 1952)
Interview 4: Francisco Goldman (Boston, United States, 1954)
Interview 5: Leila Guerriero (Junín, Argentina, 1967)
Interview 6: Elena Poniatowska (Paris, France, 1932)
Interview 7: Santiago Roncagliolo (Lima, Perú, 1975)
Interview 8: Juan Villoro (Ciudad de México, 1956)
References
Index