دانلود کتاب Latin American Women Filmmakers: Production, Politics, Poetics

فهرست مطالب :

Cover\nHalf-title\nEndorsements\nSeries information\nTitle page\nTitle page\nTable of contents\nList of Illustrations\nNotes on Contributors\nAcknowledgements\nPreface: Performing the Impossible in Plain Sight\nIntroduction\n Notes\n References\nI Industrial Contexts\n 1 Beyond Difference: Female Participation in the Brazilian Film Revival of the 1990s\n The Retomada and the rise of shared authorship\n Beyond representation\n Beyond difference\n Note\n References\n 2 Through Female Eyes: Reframing Peru on Screen\n Introduction\n Landmark women: the ‘Llosa’ effect\n Cinema, nation, gender and conflict: Marianne Eyde\n Memory and self-discovery: Rosario García-Montero\n Conclusion\n Notes\n References\n 3 Parando la olla documental: Women and Contemporary Chilean Documentary Film\n A diagnosis of the field: between precarious conditions and international success\n Collaborative production strategies and the professionalisation of the field\n Women’s cinema? Themes and strategies in Chilean documentaries by women\n Women filmmakers, family and political trauma\n The expansion of the field: new themes and strategies\n Conclusions\n Notes\n References\nII Representations\n 4 Beyond the Spitfire: Re-visioning Latinas in Sylvia Morales’ A Crushing Love (2009)\n Twenty-first century foxes: Latinas on and behind the screen\n Latinas, feminism and motherhood\n Motherhood in Chicana/o films: from mamís to mamás\n A Crushing Love: new visions of motherhood\n A Crushing Love: Latina and Latin American activism on screen\n Notes\n References\n 5 Intimacy and Distance – Domestic Servants in Latin American Women’s Cinema: La mujer sin cabeza ...\n Domestic servants and maids in Latin America: a brief contextual overview\n New politics in Latin American films featuring maids\n The films\n La mujer sin cabeza\n El niño pez\n Notes\n References\n 6 Women’s Filmmaking and Comedy in Brazil: Anna Muylaert’s Durval Discos (2002) and É proibido fumar (2009)\n Introduction\n Muylaert and Brazilian (women’s) filmmaking\n Comedy in context\n What’s funny?\n Durval Discos: looking for meaning in domestic space\n É proibido fumar: infantilised singletons and the romantic dark comedy\n Concluding remarks\n Notes\n References\n 7 Young Women at the Margins: Discourses on Exclusion in Two Films by Solveig Hoogesteijn\n Venezuelan cinema: formation of a national film industry\n Solveig Hoogesteijn: the early works of a female auteur\n Macu, la mujer del policía\n Maroa, una niña de la calle\n Conclusion: different contexts, different endings\n Notes\n References\nIII Key Agents\n 8 Re-framing Mexican Women’s Filmmaking: The Case of Marcela Fernández Violante\n De todos modos Juan te llamas (1975)\n Misterio (1980)\n Conclusion\n Note\n References\n 9 Bertha Navarro and the Remapping of Latin American Cinema: Markets, Aesthetics, Cultural Politics\n Remappings\n Marketing\n Aesthetics and politics\n Conclusion\n Notes\n References\n 10 Planeta ciénaga: Lucrecia Martel and Contemporary Argentine Women’s Filmmaking\n Notes\n References\nIndex