دانلود کتاب Latin Blackness in Parisian Visual Culture, 1852–1932

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Title Page\nCopyright Page\nContents\nList of Illustrations\n Color Plates\n Figures\nAcknowledgments\nIntroduction\n The term “Latin American”\n Why Paris?\n Much more than primitivism\n Reduced to Latin Americans\n Parisian figurations of Blackness from the mid-nineteenth to the early twentieth centuries\n Overview of the study\n Notes\nChapter 1: Playing Up Blackness and Indianness, Downplaying Europeanness\n Editing Francisco Laso: Racializing Spanish and Portuguese Americans\n Justified by anthropology: Quatrefages, Hamy, and the casta paintings\n Latin American self-representation\n The shifting rastaquouère\n Maintaining anthropological interpretations in the early twentieth century\n Conclusion\n Notes\nChapter 2: Chocolat the Clown: Not Just Black\n Chocolat and Footit: Partners in contrast\n Chocolat as brand image\n Chocolat the contaminant\n Chocolat, that special ingredient: The racially mixed object of desire\n Complicating notions of minstrelsy\n Representations through clothing\n Sexualizing Black dandies\n Assimilating the Latin\n Beyond the circus\n Conclusion\n Notes\nChapter 3: Alfonso Teofilo Brown: Agency and Complications of Blackness and Europeanness\n Sport and the imagined ideal male body\n Black boxers in turn-of-the-century France\n Gangly Brown\n The purity and hybridity of gangly Brown\n Brown the gentleman\n Images of Black difference\n Brown the philanthropist\n Conclusion\n Notes\nChapter 4: Figari’s Blacks: Negotiating French and Latin Blackness\n Figari and Paris\n Contested Whiteness and the Black body\n Conceptualizing regional identity\n Through the anthropological gaze\n Candombe as framing device\n Gender and race in Candombe\n Objects as markers\n Figari as “naïf” painter\n Increasing Latin American presence in Paris\n Perceptions of Black Uruguayans\n Figari’s evolution in Paris\n Contradictions and contrasts between Figari’s paintings and written work\n Conclusion\n Notes\nCoda\nManuscripts and Archives\n Newspapers/Journals/Magazines\n Primary Sources (Pedro Figari)\n Secondary Sources\nIndex