دانلود کتاب Latin Elegy and the Space of Empire

فهرست مطالب :

Cover\nLatin Elegy and the Space of Empire\nCopyright\nDedication\nTable of Contents\nAcknowledgments\nIntroduction: Terminal Anxiety\n Introductory Roadmap\n Mapping an Empire: Theoretical Preliminaries\n a. The “Mapping Impulse”\n b. “To ask what a map is, and what it means to map therefore, is to ask: in what world are you mapping, with what belief systems, by which rules, and for what purposes?”\n c. Emphasis on “Impulse”: Cartographic Theory and Jacques Lacan\n Drawing the Line(s): Elegy and the Space of Empire\n A Second Roadmap: An Overview\nChapter 1: Sine fine: Imperium and Subject in Catullus\n The Whole Wide World: Catullus 11, 29, 84, 95, 115\n velut prati / ultimi flos (“like a flower on the meadow’s edge,” 11.22–3): Poems 11, 63, 10, 28, 68, 101\n Conclusion: Usque ad Hyperboreos et mare ad Oceanum (“all the way to the Hyperboreans and Ocean,” 115.6)\nChapter 2: What’s Love Got To Do With It?: Mapping Cynthia in Propertius’ Paired Elegies 1.8a–b and 1.11–12\n Mapping the Terrain\n Focusing on the (Poetic) Fines\n a. Propertius 1.12 and its complementary texts (1.8a, 1.8b, 1.11)\n b. Other elegiac fines: finis in Propertius books 1–3\n c. Other elegiac fines: Tibullus 1.3 and Propertius 1.12\n Focusing on the (Historical) Fines\n Cynthia finis erit (“Cynthia will be the finis”)\nChapter 3: On the Road Again: Following the vias in Tibullus\n A Dream of the Golden Age\n Viae and the Expanse of Empire\n Via vs Amor: Establishing a Clear Dichotomy\n Via and Amor: When the Clear Dichotomy Unravels\n Tibullus’ incerto Somnia nigra pede (“black dreams with uncertain foot,” 2.1.90)\nChapter 4: Painted Worlds and Porous Walls: Propertius 4.3 with 4.2 and 4.4\n Propertius Redux\n Arethusa Studies “Painted Worlds”: Maps and Geographical Writing in Augustan Rome\n Vanishing Lines\n In quamcumque voles verte, decorus ero (“Turn me into whatever you wish, I shall be seemly,” 4.2.22)\n Tatius, Tarpeia, and the Walls of Rome\n The Walls of Rome and a Cartographic Worldview\nChapter 5: Sine finibus: Imports and Exile in Ovid: (Amores 1.14, Ars Amatoria 3, Remedia Amoris, Medicamina Faciei Femineae, Tristia, Epistulae Ex Ponto)\n Natura versus Cultus: Ovid and the Anti-Cosmetic Tradition\n Imperial Luxury Imports, Feminine Cosmetics, and the Expanse of Empire\n Nunc tibi captivos mittet Germania crines (“now Germany will send captive women’s hair to you,” Amores 1.14.45): Imported Hair and Ovidian Anxiety in a Nutshell\n Cultus Makes the Puella: The Woman and Her Imperial Accoutrements in Ovid’s Erotic Poetry\n Ultima me tellus, ultimus orbis habet (Epistulae Ex Ponto 2.7.66): Ovid at the End of the World\n Barbarus hic ego sum (‘Here I am the barbarian,’ Tristia 5.10.37)\nConclusion: The Amator, the Puella, and the Space of Empire\nBibliography\nIndex Locorum\nGeneral Index