دانلود کتاب Liminal Noir in Classical World Cinema

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CONTENTS\nList of Figures\nAcknowledgements\nNotes on Contributors\nTraditions in World Cinema\nIntroduction: Liminality and the Boundaries of Film Noir\nPART I. EXPOSING CULTURAL ANXIETIES\n1. The Despair of the Noir Generation: Wajda’s Ashes and Diamonds\n2. The Fleap Being Neither Flea nor Fly: Ida Lupino’s Interrogations of Female Trauma in Never Fear\n3. Running Aimlessly: Camino Cortado and Autarkic Spain\n4. Race and the Noir Western: Navigating The Walking Hills\nPART II. RECONCEPTUALISING NATIONAL CINEMAS\n5. ‘My Mama Done Tol’ Me’: Jewish Émigré Noir, Hybridity, and Black-Jewish Relations in Blues in the Night\n6. Expressionism, Existentialism, and Socialism in Scars of the Past\n7. The Deadly Seduction of a Rake: British Costume Melodrama, Noir, and the ‘Othered’ Woman in The Gypsy and the Gentleman\n8. Argentine Gothic-Noir Fusion in The Black Vampire\nPART III. AESTHETICS AND ANTECEDENTS\n9. A ‘Feeling of Suspension’: Tradition and Modernity in La Pointe Courte\n10. Dostoyevsky ’58: Richard Brooks’s Brothers Karamazov as Baroque Noir\n11. Men in Black: I Confess, the Hitchcock Noir, and the American Gothic\nSelected Bibliography\nIndex