دانلود کتاب Lipsynching

فهرست مطالب :

Title Page\nCopyright Page\nContents\nFigures\nAcknowledgements\nIntroduction\n Lipsynching: Approaches and perspectives\n Summary of contents\n Not covered in this book\n Note on spelling\nChapter 1: Locating the disembodied voice\n Voice as event\n Voice as space\n Sonic pedagogy and the ‘pseudo-event’\nChapter 2: Lipsynching to conceal\n Silent cinema\n Realist conventions in Hollywood sound cinema\n The Hollywood musical – practices and conventions: Concealment and authenticity\n The ‘Quest for the Perfect Fake’55\n Singin’ in the Rain67 and the ideal voice\n Scandals: When singers lipsynch and the authenticity debate\nChapter 3: Lipsynching to express\n Of mouse and man\n The compiled score and the acousmê tre\n The interior externalized: Bridget Jones’s Diary41\n Identity formation: Muriel’s Wedding42\n Community bonding: Ferris Bueller’s Day Off 44\n Possession: Beetlejuice47\n The Uncanny: The Singing Detective49 and Blue Velvet50\n Dennis Potter: The Singing Detective\n David Lynch: Blue Velvet\n Drag performance: ‘Lip Sync for Your Life’\nChapter 4: Lipsynching to start your day: The soundtracked life\n The YouTube lipsynch: Background\n Back Dorm Boys: ‘I Want It That Way’ by the Backstreet Boys10\n Two College Guys: ‘Wannabe’ by the Spice Girls13\n Gary Brolsma (the ‘Numa Numa Guy’): ‘Dragostea Din Tei’ by O-Zone18\n Musicking and ritual\n The ‘Price of Perfection’:29 The amateur\n Corporate versus personal investments: Copyright and censorship\n Soundtracked lives\n Lipdub as collective soundtrack: Crowd-sourcing the soundtracked life\n Lipsynching and fandom\n Returning to the Uncanny\nFinal reflections and participant observation:\nNotes\n Introduction\n Chapter 1\n Chapter 2\n Chapter 3\n Chapter 4\n Chapter 5\nBibliography\n Books\n Book Chapters and Journal Articles\n Thesis\n Newspaper, Magazine and Internet Sources\n CD\n DVD Commentary\n TV/cinema\nIndex