دانلود کتاب Listening To Music

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Cover
IFC
Title
Statement
Copyright
Dedication
Brief Contents
Contents
About the Author
Preface
Part One: Introduction to Listening
Ch 1: The Power of Music
Music, the Ear, and the Brain
Our Musical Template: Why We Like What We Like
Listening to Whose Music?
How Does Classical Music Work?
Where and How to Listen
Getting Started: No Previous Experience Required
Ch 1: Key Words
Ch 2: Rhythm, Melody, and Harmony
Rhythm
Rhythmic Notation
Melody
Harmony
Ch 2: Key Words
Ch 3: Color, Texture, Form, and Style
Color
The Voice
Musical Instruments
Texture
Form
Styles of Classical Music
Ch 3: Key Words
Part Two: The Middle Ages and Renaisance, 476-1600
Ch 4: Medieval Music, 476-1450
Music in the Monastery
Music in the Cathedral
Music at the Court
Ch 4: Key Words
Ch 5: Renaissance Music, 1450-1600
Josquin Desprez (c. 1455–1521) and the Renaissance Motet
The Counter-Reformation and Palestrina (1525–1594)
Popular Music in the Renaissance
Ch 5: Key Words
Part Three: The Baroque Period, 1600-1750
Ch 6: Early Baroque Music: Opera
Baroque Architecture and Music
Baroque Painting and Music
Early Baroque Opera
Ch 6: Key Words
Ch 7: Toward Late Baroque Instrumental Music
The Baroque Orchestra
Mouret and Trumpet Music for the French Court
Pachelbel and His Canon
Vivaldi and the Baroque Concerto
Ch 7: Key Words
Ch 8: The Late Baroque: Bach
Johann Sebastian Bach (1685–1750)
Fugue
Bach’s Orchestral Music
The Church Cantata
Ch 8: Key Words
Ch 9: The Late Baroque: Handel
George Frideric Handel (1685–1759)
Handel and the Orchestral Dance Suite
Handel and Opera
Handel and Oratorio
Ch 9: Key Words
Part Four: The Clasical Period, 1750-1820
Ch 10: Introduction to Classical Style: Haydn and Mozart
The Enlightenment
The Democratization of Classical Music and the Rise of “For Profit” Concerts
The Dynamic Quality of Classical Style
Vienna: Home to Classical Composers
Ch 10: Key Words
Ch 11: Classical Forms: Ternary and Sonata-Allegro
Ternary Form
Sonata–Allegro Form
Ch 11: Key Words
Ch 12: Classical Forms: Theame and Variations, Rondo
Theme and Variations
Rondo Form
Form, Mood, and the Listener’s Expectations
Ch 12: Key Words
Ch 13: Classical Genres: Instrumental Music
The Symphony and the Symphony Orchestra
The String Quartet
The Sonata
The Concerto
Ch 13: Key Words
Ch 14: Classical Genres: Vocal Music
Mozart and Opera
Ch 14: Key Words
Ch 15: Beethoven: Bridge to Romanticism
The Early Years (1770–1802)
The “Heroic” Period (1803–1813)
The Final Years (1814–1827)
What Is Forward Looking in Beethoven’s Music?
Ch 15: Key Words
Checklist of Musical Style: Classical: 1750–1820
Part Five: Romanticism, 1820-1900
Ch 16: Introduction to Romanticism
Romantic Inspiration, Romantic Creativity
The Musician as “Artist,” Music as “Art”
The Style of Romantic Music
Bigger Is Better: Greater Length, More Volume and Color
Ch 16: Key Words
Ch 17: Romantic Music: The Art Song
The Art Song
Franz Schubert (1797–1828)
Clara Wieck Schumann (1819–1896)
Ch 17: Key Words
Ch 18: Romantic Music: Program Music, Ballet, and Musical Nationalism
Program Music
Peter Tchaikovsky (1840–1893): Tone Poem and Ballet Music
Music and Nationalism
Ch 18: Key Words
Ch 19: Romantic Music: Piano Music
Robert Schumann (1810–1856)
Frédéric Chopin (1810–1849)
Franz Liszt (1811–1886)
Ch 19: Key Words
Ch 20: Romantic Opera: Italy
Italian Bel Canto Opera
Giuseppe Verdi (1813–1901)
Ch 20: Key Words
Ch 21: Romantic Opera: Germany
Germany and Nordic Fantasy Literature
Richard Wagner (1813–1883)
Wagner’s “Music Dramas”
Ch 21: Key Words
Ch 22: Nineteenth-Century Realistic Opera
Georges Bizet’s Carmen (1875)
Giacomo Puccini’s La bohème (1896)
Ch 22: Key Words
Ch 23: Late Romantic Orchestral Music
Romantic Values and Today’s Concert Hall
Johannes Brahms (1833–1897)
Antonín Dvo.rák (1841–1904)
Gustav Mahler (1860–1911)
Ch 23: Key Words
Part Six: Modern and Postmodern Art Music, 1880-Present
Ch 24: From Impresionism to Modernism
Impressionism
Impressionism in Painting and Music
Exoticism in Music
Ch 24: Key Words
Ch 25: Early-Twentieth-Century Modernism
Modernism: An Anti-Romantic Movement
Modernist Painting and Music: The Rejection of Representational Art
Igor Stravinsky (1882–1971)
Arnold Schoenberg (1874–1951)
Ch 25: Key Words
Ch 26: American Modernism
Charles Ives (1874–1954)
Samuel Barber (1910–1981)
Aaron Copland (1900–1990)
Ellen Taaffe Zwilich (b. 1939)
Ch 26: Key Words
Ch 27: Postmodernism
Edgard Varèse (1883–1965) and Electronic Music
John Cage (1912–1992) and Chance Music
John Adams (b. 1947) and Minimalism
Caroline Shaw (b. 1982) and a New Model for Classical Music
A Bonus Work and a Test: Christopher Rouse, Flute Concerto, Fifth Movement, Amhrán (1993)
Ch 27: Key Words
Part Seven: American Popular Music 
Ch 28: American Popular Music to World War II
Early American Psalms, Hymns, and Gospel Singing
Country Music
Blues
Early Jazz
From Tin Pan Alley to Broadway
Ch 28: Key Words
Ch 29: Postwar Jazz and Broadway
Bebop
Other Jazzes: Cool and Modal
The Broadway Musical
Ch 29: Key Words
Ch 30: Music for Media: Film, TV, and Games
The Dawn of Film Music
Experimentation: 1950s–1970s
The Era of TV Music
The Dolby Sound Era: 1980s–2000
The Sound of Games
Total Immersion: Music for Film, TV, Computers, and Phones
Ch 30: Key Words
Ch 31: Rock:
Antecedents of Rock
Rock and Roll
Rock
Evolving Rock Substyles
Thriller (1982) and Music Videos
“Classic” but Ever-Evolving
Ch 31: Key Words
Glossary
Recording Credits
Photo Credits
Index
IBC