دانلود کتاب Literature and Film from East Europe’s Forgotten “Second World”: Essays of Invitation

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Half Title\nTitle Page\nCopyright Page\nContents\nFigures\nCredits\nAcknowledgments\nIntroduction: On Invitations and Discoveries\nPart I: Invitations\nChapter 1: The Flight of Form: This Way for the Gas, Ladies and Gentlemen (Tadeusz Borowski, Poland 1948)\nChapter 2: The Gift of a Storyteller: The Bridge on the Drina (Ivo Andrić, Yugoslavia 1961)\nChapter 3: Over There, the War Does Not End: The General of the Dead Army (Ismail Kadare, Albania 1963)\nChapter 4: On Kindness: Two Films from 1960s Czechoslovakia (Miloš Forman, Ján Kadár, and Elmar Klos, directors)\nChapter 5: That Was There Too: Man Is Not a Bird (Dušan Makavejev, director, Yugoslavia 1965)\nChapter 6: The Fireworks of Different Desires: Daisies (Věra Chytilová, director, Czechoslovakia 1966)\nChapter 7: The Most Important Thing: Lovefilm (István Szabó, director, Hungary 1970)\nChapter 8: Fiction against Fiction: A Tomb for Boris Davidovich (Danilo Kiš, Yugoslavia 1976)\nChapter 9: On Mice and Books: Too Loud a Solitude (Bohumil Hrabal, Czechoslovakia 1976)\nChapter 10: Taking Things Too Literally: Man of Marble (Andrzej Wajda, director, Poland 1976)\nChapter 11: The Terrifying Simplicity of History: The Czar’s Madman (Jaan Kross, USSR/Estonia 1978)\nChapter 12: Human JudgMENT and Animal Love: The Unbearable Lightness of Being (Milan Kundera, Czechoslovakia and France 1984)\nChapter 13: A Non-Readers’ Lesson to Writers: The Door (Magda Szabó, Hungary 1987)\nChapter 14: Intelligence, Artificial: Decalogue: One (Krzysztof Kieślowski, director, Poland 1988)\nChapter 15: Nela’s Courage: The Oak (Lucian Pintilie, director, Romania 1992)\nPart II: Probing Deeper\nChapter 16: The Victim’s Double Vision and the Long Road to The Pianist (Roman Polanski, director; France, Germany, Poland, UK 2002)\nChapter 17: Imagining a Good City: One Who Sings Thinks No Evil (a.k.a. One Song a Day Takes Mischief Away, Krešo Golik, director, Yugoslavia 1970)\nChapter 18: The Reign of Images and the Good Icons: Mothers (Milcho Manchevski, director, Macedonia 2010)\nChapter 19: Easing into the Nonhuman Future: Border State (Tõnu Õnnepalu, Estonia 1993)\nChapter 20: On Reading Literature: Turning the Tables, the Writers on Critics\nNotes\nSelect Bibliography\nIndex