دانلود کتاب Ma Yuan: The Chinese Avant-Garde, Metafiction, and Post-Postmodernism

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Cover
Half Title
Title Page
Copyright Page
Contents
Introduction
Notes
Chapter 1: Early Works
Notes
Chapter 2: High (Altitude) Metafiction: Self-reflexivity and Polyvocality in Tibet
The Goddess of Lhasa River 拉萨河女神
Ma Yuan, the “Author” and the “Reader”
The Allure of the Gangdisê Mountains 冈底斯的诱惑
The “Anatomy” of a Polyvocal Metafiction: Authors, Texts, and Ontological Uncertainty
Are “You” the Reader, Lu Gao, Yao Liang or Qiongbu?
“Who Is Yao Liang Anyway?” The Yao Liang and Lu Gao “Pseudo-couple”
Fabrication 虚构
Love in the Age of Leprosy
A Wall Covered with Strange Patterns 涂满古怪图案的墙壁
Mise En Abyme: Narrative Mimesis and Narrative Ontology
Intertextuality ad Absurdam
The Author(s) within the Text(s)
The Death of the/an Author
Notes
Chapter 3: Later Works
Mistakes: Narrativizing Memory, Experience and Writing
Narrating Loss and a Lost Hat
Old Death: 旧死
Trauma, Text, Violence: The End of the Avant-Garde
Chapter 4: Monsters and Demons 牛鬼蛇神
Further Intertextuality Ad Absurdam
Chapter “0”: Has “Ma Yuan” Finally Entered the Text?
Looking for Kilometer Zero: The Journey from “Da Yuan” to “Ma Yuan”
Li Desheng and I: Da Yuan in Tibet
Da Yuan after “Ma Yuan”
Notes
Chapter 5: Entanglement 纠缠 and The Huang Tang Family 黄堂一家
Entanglement: “Kafka + Raymond Chandler: Philosophy + Suspense”
Ma Yuan’s “New Realism”
Notes
Chapter 6: Guniangzhai 姑娘寨
“Teacher Ma” in Nannuoshan
Metafictional Mythologies along China’s Border
The Priest and the Shaman: The Narratives of Bie Yangwu and Bei Ma
Notes
Chapter 7: Conclusions
Ma Yuan’s Textual Landscapes: An Intertextual Cartography
Ma Yuan and the Avant-Garde
Ma Yuan after the Avant-Garde: Metamodernism? Post-postmodernism?
Notes
References
List of Sources in Chinese
Index
About the Author