دانلود کتاب Making Music in Los Angeles: Transforming the Popular

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Contents\nIllustrations\nPreface and Acknowledgments\n1. Music Making as Popular Practice\nPart I. Music for the “People”\n2. “The Largest and Most Enthusiastic Audience That Ever Has Assembled in the City”: The National Opera Company of 1887\n3. “A Precarious Means of Living”: Early Working Musicians and Their Jobs\n4. “Popular Prices Will Prevail”: Competing and Cooperating Impresarios\n5. Amateurs,Professionals ,and Symphonies: Harley Hamilton and Edna Foy\n6. “Our Awe Struck Vision”: A Prominent Impresario Reconsidered\nPart II. Progressive-Era Musical Idealism\n7. The “True Temple of Art”: Philharmonic Auditorium and Progressive Ideology\n8. “Something of Good for the Future”: The People’s Orchestra of 1912–1913\n9. Producing Fairyland, 1915\n10. Founding the Hollywood Bowl\nPart III. From Progressive to Ultramodern\n11. Old Competitors,New Opera Companies in 1925\n12. The New Negro Movement in Los Angeles\n13. Welcoming the Ultramodern\n14. Second Thoughts\n15. Calling the Tune: The Los Angeles Federal Music Project\nAppendix A. Los Angeles Population Growth, with Racial and Ethnic Distribution\nAppendix B. Musicians and Teachers of Music in the United States and Los Angeles\nAppendix C. A Music Chronology for Los Angeles, 1781–1941\nNotes\nBibliography\nIndex